Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Burnt Bronzite Genuine is a coppery honey tone. This transparent shade is an excellent flesh tone that would be invaluable when portrait painting. Like Bronzite Genuine, it gets a subtle lustrous sparkle from iron oxide.

Lightfastness: ExcellentStaining: Non-StainingGranulating: YesTransparency: Transparent

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 018Series: BPigment: PR5, PR188Transparency: TransparentLightfastness: Good

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 405 Series: C Pigment: Titanium mica, PY83 Transparency: Semi-transparent Lightfastness: Good

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 471 Series: F Pigment: Titanium mica/iron oxides Transparency: Semi-transparent Lightfastness: Excellent

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Peach Black.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 069Series: BPigment: BV11, PR122Transparency: TransparentLightfastness: Poor

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Grey.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

CI Name : PBK9Pigment Name : Carbonized BonesCommon Name : N/AASTM Lightfastness : IOpacity : OStaining : Staining

Pigments: PY35

Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly permitting greater colour density and brush control.

Holbein 24 x Half Pan Set

Contents Include:
24 x Holbein Artist's Watercolour half pans

1 x Brilliant Orange 1 x Burnt Sienna 1 x Burnt Umber1 x Chinese White1 x Lemon Yellow 1 x Olive Green1 x Payne's Grey 1 x Prussian Blue1 x Sap Green1 x Ultramarine Deep 1 x Vermilion Hue 1 x Viridian Hue1 x Yellow Ochre 1 x Dioxazine Violet1 x Imidazolone Brown 1 x Indian Yellow1 x Opera1 x Pyrrol Red1 x Cadmium Green Pale 1 x Cadmium Yellow Deep1 x Permanent Alizarin Crimson 1 x Shadow Green1 x Cerulean Blue 1 x Cobalt Blue Pale

1 x Retractable Travel Brush (approx. size 8)1 x High-quality Plastic Travel Case (with 10 slot mixing tray)

Measurements: 160 x 105 x 30mm

Pigment: Cobalt pigment combinationLightfastness: *****Opacity: OpaqueDescription: More greenish than tone 499, cobalt cerulean with equally high lightfastness.

Colour Index: PB36



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Chromium-antimonytitanium-yellowLightfastness: ****Opacity: OpaqueDescription: Modern, anorganic, opaque pigment. Slightly warmer than tone 655, yellow ochre and 656, yellow raw ochre.

Colour Index: PBr24

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Pigment: Monoazoyellow, AzocondensationLightfastness: ***Opacity: Semi-opaqueDescription: Warm reddish-yellow brown from 2 modern, organic pigments.

Colour Index: PY65/PBr41



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigments: PB15, PW6

Permanency: Not Durable Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Colour: Pyrrole RubinColour Pigment Index: PR264Colour Lightfastness: Excellent Transparency: Semi-OpaqueStaining: Medium StainingGranulation: No GranulationLifting: Hard A European style transparent watercolour, Holbein watercolour preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. They are produced without ox-gall, animal by-products or other dispersing agents, which permits greater colour density and brush control.The range has a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or moulding in the palette. Colours can be rewetted and used like a pan colour - simply fill the wells of a suitable palette with the desired colour selection, allow it to dry, then wet the colour when needed.Holbein offers a 108-colour range, available in 5ml and 15ml tubes.

Duochrome Autumn Mystery is an earthy russet colour that reflects a vibrant copper metallic shade. This luminescent paint (with metal oxides) catches and reflects light, mimicking the glitter of water.

Daniel Smith Extra Fine Watercolour Sticks offer the same superior intensity as the Daniel Smith line of Extra Fine Watercolour paints with the convenience and portability of half pans.Each stick is packed with pure pigment and produces vibrant, strong colour when wet or use them dry to build texture. They're highly reactive with water and release rich, creamy colours. Features and Benefits: Currently available in 51 colours. Easy to use. Superior properties vs. half pans. Blends perfectly with Daniel Smith Extra Fine Watercolours. Sensational results when applied to wet paper. Great highlight enhancer for all watercolour paintings. Long lasting - one stick equals three pans of paint. Very portable - great for plein aire and travel. Handmade and hand-formed from pure pigment. Made in the USA by artists for artists.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Pigment: Cadmium-zincsulphideLightfastness: ****Opacity: Semi-opaqueDescription: Strong, brilliant yellow with opacifying character. In the colour-theory often used as basic yellow.

Colour Index: PY35



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Sap Green Deep (PO48 PY3 PB27) is a strong dark green akin to Jadeite Genuine and Perylene Green. This colour is a staple for every palette.

ASTM Lightfastness Rating: Very GoodTransparency: TransparentGranulating: NoStaining: Medium

Pigment: Bromide, Phthalocyanine greenLightfastness: ****Opacity: Semi-transparentDescription: Transparent, brilliant green. Tone achieved by substitution of chlorine with bromide in the pigment molecule. Supplement to the organic pigmented green series. Warmer than tone 519, phthalo green.

Colour Index: PG36



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.