Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.

ShinHan Pass paints are made of the world's best pigments. These vivid colours are lightfast and each colour maintains its own integrity when blending.

ACMI certified.

Non-toxic.

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 030Series: CPigment: N/ATransparency: TransparentLightfastness: Excellent

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Brown Red.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

QoR retains the best qualities of traditional watercolours, while expanding the range and versatility of each colour. QoR's exclusive binder (Aquazol) provides a greater density of colour than conventional watercolours, offering vivid depth of colour with every brushstroke. The unique QoR formula gives vibrant, intense colours that stay brilliant even after they dry. It provides the subtlety, transparency and flow of a great watercolour, with colours that have as much vibrancy and fire as those of acrylic or oil paint. QoR offers a greater resistance to cracking and flaking than other watercolours. It also exhibits excellent re-solubility in water and glazing qualities. CI Name : PR206Pigment Name : QuinacridoneCommon Name : N/AASTM Lightfastness : NAOpacity : TStaining : Staining

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Ivory Black.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Pigment: Titanium dioxide, Zinc oxide, Azocondensation, Hydrated iron oxideLightfastness: ****Opacity: OpaqueDescription: Traditional tone, opacity effected by white content. Untoxic alternative mixed from 4 pigments, to achieve the traditional reddish-yellow tone. Recommended for portrait- and nude painting.

Colour Index: PW6/PW4/PR242/PY42

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Daniel Smith Cobalt Turquoise (PB36) is a teal blue. This paint is an excellent colour for blending in a glaze or wash. Its slight granulation adds interest to a painting with multiple layers. Daniel Smith Extra Fine watercolours were released in 1993 and are renowned by artists across the world. The range combine ancient hues and precious minerals with the most modern developments in paint technology. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Pigment: Metal complex, Phthalocyanine greenLightfastness: ***Opacity: TransparentDescription: Highly transparent green. Very famous in the 18th and 19th century, made from berry juice. At that time extremely sensitive to light. Today alternative organic pigment mixture.

Colour Index: PY153/PG7

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light shape and hues.

Number: 578

Pigments: PY153Lightfastness: Very Good Lightfastness Transparency: Transparent

Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 013Series: CPigment: PR209Transparency: TransparentLightfastness: Excellent

Series number: 3

Chemical Description: Cobalt stannate

Colour index name: PB 35

Colour index number: 77368

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: SO

Granulating/Staining: G

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Cerulean Blue Hue.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Series number: 1

Chemical Description: Copper phthalocyanine

Colour index name: PB 15

Colour index number: 74160

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St

Verditer Blue (PB28 PB36 PW4) is a true azure blue that dilutes down, through a cornflower blue, to the softest of baby blues. This semi-transparent colour is granulating and lightfast.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentStaining: LowGranulating: Yes

Shadow Violet (PO73 PB29 PG18) is a deep, warm violet that becomes a grey-mauve wash when added to water. A hint of orange can be perceived in Shadow Violet when it is used in thin applications. This product’s transparency makes it a good choice for glazing or painting subtle shadows.ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: Non-stainingGranulating: YesDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Shadow Violet.

Michael Harding Professional Watercolours have been meticulously developed to create highly saturated and vivid colours. Each pigment was painstakingly researched and formulated to perform to its maximum potential. Bound with fine quality gum arabic and honey, the range features 130+ colours, 92 of which are single pigment colours ensuring clean colour mixing and strong contrast.

The spectrum offered is comprehensive, with a broad choice of historical and modern clarity colours. A wide selection of greens are included for plein air, and traditional cadmium colours for their robustness. Rarer colours such as Lapis Lazuli and Rose Madder have been carefully transposed from the celebrated Michael Harding oil paint range.

Michael Harding Professional Watercolours have excellent rewetting properties, so dried paint can easily be reused, and favourite mixes can be created and stored in empty pans.

Twenty years in the making, these artist watercolours offer a rich and vibrant luminosity with the aim that every colour offers a distinct character to justify its inclusion in this exciting new collection.

Michael Harding Professional Watercolours have been meticulously developed to create highly saturated and vivid colours. Each pigment was painstakingly researched and formulated to perform to its maximum potential. Bound with fine quality gum arabic and honey, the range features 130+ colours, 92 of which are single pigment colours ensuring clean colour mixing and strong contrast.

The spectrum offered is comprehensive, with a broad choice of historical and modern clarity colours. A wide selection of greens are included for plein air, and traditional cadmium colours for their robustness. Rarer colours such as Lapis Lazuli and Rose Madder have been carefully transposed from the celebrated Michael Harding oil paint range.

Michael Harding Professional Watercolours have excellent rewetting properties, so dried paint can easily be reused, and favourite mixes can be created and stored in empty pans.

Twenty years in the making, these artist watercolours offer a rich and vibrant luminosity with the aim that every colour offers a distinct character to justify its inclusion in this exciting new collection.

Michael Harding Professional Watercolours have been meticulously developed to create highly saturated and vivid colours. Each pigment was painstakingly researched and formulated to perform to its maximum potential. Bound with fine quality gum arabic and honey, the range features 130+ colours, 92 of which are single pigment colours ensuring clean colour mixing and strong contrast.

The spectrum offered is comprehensive, with a broad choice of historical and modern clarity colours. A wide selection of greens are included for plein air, and traditional cadmium colours for their robustness. Rarer colours such as Lapis Lazuli and Rose Madder have been carefully transposed from the celebrated Michael Harding oil paint range.

Michael Harding Professional Watercolours have excellent rewetting properties, so dried paint can easily be reused, and favourite mixes can be created and stored in empty pans.

Twenty years in the making, these artist watercolours offer a rich and vibrant luminosity with the aim that every colour offers a distinct character to justify its inclusion in this exciting new collection.

Michael Harding Professional Watercolours have been meticulously developed to create highly saturated and vivid colours. Each pigment was painstakingly researched and formulated to perform to its maximum potential. Bound with fine quality gum arabic and honey, the range features 130+ colours, 92 of which are single pigment colours ensuring clean colour mixing and strong contrast.

The spectrum offered is comprehensive, with a broad choice of historical and modern clarity colours. A wide selection of greens are included for plein air, and traditional cadmium colours for their robustness. Rarer colours such as Lapis Lazuli and Rose Madder have been carefully transposed from the celebrated Michael Harding oil paint range.

Michael Harding Professional Watercolours have excellent rewetting properties, so dried paint can easily be reused, and favourite mixes can be created and stored in empty pans.

Twenty years in the making, these artist watercolours offer a rich and vibrant luminosity with the aim that every colour offers a distinct character to justify its inclusion in this exciting new collection.

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.