Series number: 2

Chemical Description: Complex sodium aluminium silicate containing sulphur

Colour index name: PB 29

Colour index number: 77007

Permanence rating: A(iii)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Lilac.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Pigments: PG36

Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Raw Umber (PBr7) is a rich dark brown. This inorganic pigment is semi-transparent, medium tinting, and extremely permanent. This product is ideal for evoking mood or lending depth to a field.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Yellow Ochre (PY43) is a yellow-orange brown colour. This transparent shade is a sublime mixing colour and its uses are almost limitless as it works well with all other transparent pigments.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Sap Green Deep (PO48 PY3 PB27) is a strong dark green akin to Jadeite Genuine and Perylene Green. This colour is a staple for every palette.

ASTM Lightfastness Rating: Very GoodTransparency: TransparentGranulating: NoStaining: Medium

Chinese White (PW4) is a semi-opaque white. This product has a superb permanency and is ideal for lightening other colours or painting highlights.ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: NoStaining: Non-stainingDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Chinese White.

Nickel Azo Yellow (PY150) is brown tinted ochre that is both transparent and staining. This product is beautiful when used alongside Nickel Titanate Yellow and Naples Yellow.ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: NoStaining: LowDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Nickel Azo Yellow.

Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly permitting greater colour density and brush control.

Holbein 12x5ml Tube Set

Contents Include:
12 x 5ml Holbein Artist's Watercolour Tubes

1 x Burnt Sienna 1341 x Burnt Umber 133 1 x Chinese White 002 1 x Cobalt Blue (Tint) 091 1 x Crimson Lake 010 1 x Ivory Black 010 1 x Permanent Green No. 1 066 1 x Permanent Yellow Light 036 1 x Prussian Blue 097 1 x Vermilion (Tint) 019 1 x Viridian (Tint) 061 1 x Yellow Ochre 034

Please note that colours may vary

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

Contents Include: 12 x 10ml Sennelier Watercolour Tubes

1 x Lemon Yellow1 x Sennelier Yellow Light1 x French Vermilion1 x Sennelier Red1 x Opera Rose1 x Ultramarine Deep1 x Phthalocyanine Blue1 x Forest Green1 x Phthtalo Green Light1 x Burnt Sienna1 x Payne's Grey1 x Warm Sepia

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Pigment: Phthalocyanine blueLightfastness: ****Opacity: Semi-transparentDescription: Traditional deep greenish blue tone. High tinting strength.Mixed with yellow very brilliant green tones are achieved.

Colour Index: PB 15

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Cadmium-zincsulphideLightfastness: ****Opacity: Semi-opaqueDescription: Strong, brilliant yellow with opacifying character. In the colour-theory often used as basic yellow.

Colour Index: PY35



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Metal complex, Earth pigment, Lamp blackLightfastness: ****Opacity: Semi-opaqueDescription: Greenish alternative to sepia brown. Used since the 17th century. Originally extracted from fi nely elutriated lignite, but too uncertain, therefore replaced by a lightfast pigment mixture.

Colour Index: PY153/PBr 7/PBk7



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Phthalocyanine blue , Indigo syntheticLightfastness: **Opacity: OpaqueDescription: Originally traditional plant dyestuff from India. For lightfastness reasons replaced by synthetic, organic pigments. Perfect for shading and deepening of coloured tones.

Colour Index: PB15:1/PB66

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.

ShinHan Pass paints are made of the world's best pigments. These vivid colours are lightfast and each colour maintains its own integrity when blending.

ACMI certified.

Non-toxic.

Series number: 1

Chemical Description: Carbozole dioxazine

Colour index name: PV 23

Colour index number: 51319

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 4

Chemical Description: Cobalt titanate

Colour index name: PG 50

Colour index number: 77377

Permanence rating: AA

ASTM Lightfastness Rating: N/L

Transparency/Opacity: SO

Granulating/Staining: G

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 1

Chemical Description: Synthetic iron oxide, Chlorinated copper phthalocyanine

Colour index name: PY 42, PG7

Colour index number: 77492, 74260

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 3

Chemical Description: Quinacridone pyrrolidone, Quinacridone

Colour index name: - , PR 206

Colour index number: - 73920

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 1

Chemical Description: Copper phthalocyanine

Colour index name: PB 15

Colour index number: 74160

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Prussian Green (PB27 PY35) is a dark, slightly turquoise blue-green. This product is a fantastic colour to choose when painting rich forest shadows. To produce a natural looking green for stalks, reeds and leaves mix, with Yellow Ochre.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Medium