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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Paper > Watercolour Glued Pads
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
The TechnoArt Art Scholor Drawing Pad has a coarse grain and uses non-ageing, acid free paper. The paper has 165 gsm interlocked fibers making it more durable.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Goldline Watercolour Studio Pad is an acid free, archival substrate made from a mix of cotton and lignin free cellulose. The paper is cold pressed and both internally and externally sized resulting in a slightly textured, highly absorbent surface that is ideal for a variety of media including watercolour, gouache, acrylic, ink, charcoal and pencil. The paper comes in a pad glued down one edge.
This hardbound Hahnemuhle Watercolour Book contains 30 sheets of paper within a durable hard cover with a black grained linen-effect surface and a rubber band to keep it securely closed during storage or transport. The paper is a natural white and acid-free 200gsm Hahnemuhle fine grained watercolour paper with the same texture on both sides for those who wish to paint wide panoramas.Available in A4, A5 and A6 sizes, all of which are landscape format. This is an A4 size sketchbook.
Mixed Media is available in a full range of formats and sizes.
Strathmore 400 Series Toned Mixed Media pad is a gummed pad with fifteen sheets of 300gsm heavyweight 'hybrid' paper. This versatile paper combinches the strength of watercolour paper with the finish of a drawing paper. It is suitable for all wet and dry media. Because the paper is available in two mid-tone colours “Tan and Grey“ it is especially suitable for use with hard pastels, chalk and watercolour, where both highlights and lowlights can be applied. The paper is 100% recycled, acid-free and artist-quality. This is a Toned Grey 400 Series Mixed Media Pad measuring 18x24in.
For more than 50 years Seawhite has been supplying the UK arts market. They are a family business based in Partridge Green, West Sussex, not far from Brighton where the business began. They also have the Seawhite Studio - a modern painting studio with art classes run by Emily Ball.
For more than 50 years Seawhite has been supplying the UK arts market. They are a family business based in Partridge Green, West Sussex, not far from Brighton where the business began. They also have the Seawhite Studio - a modern painting studio with art classes run by Emily Ball.
Yupo is a non-porous, acid-free and pH neutral, synthetic paper which is machine-made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties. The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting. Yupo is made from heated polypropylene pellets which are then extruded to form the base and surface layers of the paper, These layers are stretched to create a dimensionally storable and biaxial-orientated substrate. This process means that Yupo paper is exceptionally strong, opaque and has an incredibly smooth surface. This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolour, alcohol ink, acrylic paint, monotype, offset printing, debossing, oil pastel, graphite, and silkscreen. As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash. "Yupo is very different to normal watercolour paper (but still make sure not to get greasy fingerprints on it) it stays flat, which is a great bonus, the paint can go mad; which is fun and you can pretty much rinse a sheet under a cold tap and start again. Masking fluid doesn't bond to the surface, so make sure it's dry before you rinse anything away as water will creep slightly under the masking fluid. It's very different, it's fun to play with and well worth trying." When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.
This mini set is a great introduction to Stonehenge Papers. These mini pads allow you to experiment with different techniques and determine which paper is best for you and your work before investing in a larger pack.
Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work. The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting. This is a pad of 15 sheets of 153gsm Yupo Translucent Watercolour Paper. Each sheet measures 11 x 14in and is translucent for even, light dispersal.
Yupo Translucent Watercolour Paper will help you see colour from a new perspective. Its ultra-smooth surface is a great starting point for a variety of media including watercolour, alcohol ink, acrylic, monotype, offset printing, oil pastel, and graphite. Yupo Translucent is a non-porous, acid-free, and pH-neutral synthetic paper which is machine-made in the US from 100% polypropylene. It is completely water and stain-proof and has become a unique alternative to traditional art papers due to its strength and durability. This paper resists tearing or buckling and there is no need to stretch or treat the paper before you start work. The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to the one used with oil painting.
Strathmore 400 Series Watercolour Hardbound Art Journals have a lightly textured, chocolate-coloured cover for protection and support. Strathmore use their intermediate grade, acid-free, natural white watercolour paper which is suitable for watercolour, gouache and acrylic. This sketchbook measures 5.5 x 8.5 inches.Please note, this product has a Cold pressed ('Not') surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work, though most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.
For more than 50 years Seawhite has been supplying the UK arts market. They are a family business based in Partridge Green, West Sussex, not far from Brighton where the business began. They also have the Seawhite Studio - a modern painting studio with art classes run by Emily Ball. |
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