Colour number/code: 137

Series number: 2

Chemical Description: Cobalt stannate

Colour index name: PB35

Colour index number: 77368

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: G



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 314

Series number: 1

Chemical Description: Copper phthalocyanine, Quinacridone, Chlorinated copper phthalocyanine

Colour index name: PB15, PO49, PG7

Colour index number: 74160, 73900, 74260

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 331

Series number: 1

Chemical Description: Bone black

Colour index name: PBk9

Colour index number: 77267

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 346

Series number: 1

Chemical Description: Benzimidazolone yellow H6G

Colour index name: PY175

Colour index number: 11784

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 502

Series number: 1

Chemical Description: Quinacridone violet

Colour index name: PV19

Colour index number: 46500

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 95

Series number: 1

Chemical Description: Perylene, Pyrrole

Colour index name: PR149, PR255

Colour index number: 71137, 561050

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 322

Series number: 1

Chemical Description: Copper phthalocyanine, Carbon black, Complex sodium alumino-silicate containing sulphur

Colour index name: PB15, PBk7, PB29

Colour index number: 74160, 77266, 77007

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

The compact sets are an easy and inexpensive way of getting started with new painting techniques. This Faber-Castell set contains 24 selected watercolours respectively chosen for each technique. Hobby artists are inspired by the high pigmentation and extraordinary brilliance of the colours which can be applied directly from tube. The different product features open new ways of application possibilities.

The TechnoArt Art Scholor Drawing Pad has a coarse grain and uses non-ageing, acid free paper. The paper has 165 gsm interlocked fibers making it more durable.

Pentel is an international stationery brand recognised by consumers globally and is renowned for its innovation and quality products.
Pentel boasts a wide range of ballpoint pens, mechanical pencils, correction products (fluid & tape), markers and art materials.

The Broad Tip Pentel Water Brush is an artist's brush that houses water in a barrel in the brush handle. The water is supplied to the fibre brush tip via a valve, giving a constant flow of water when the brush meets a porous surface.
For wet on wet techniques just add slight pressure to the barrel and to clean the brush simply apply pressure to the barrel and the dirty water will work its way out of the fibre tips.

Perfect for travelling artists, this water pot expands on site then collapses for transport. It's also easy to clean and store. Ridges aroudn the rim keep brush handles separated and organised while you are painting.

Release your inner Rembrandt with the professional Rembrandt Aquarell pencil. Suited to all artistic drawing techniques, it comes in a wide selection of intense, bright colours with highly light-resistant pigments. Thanks to the wax emulsifiers and extra-large watercolour lead, the Rembrandt Aquarell can be used like watercolour paints.

Artecho Watercolour Paint Set in Tin Case - Professional 24 colour. Excellent Quality. A quality Artecho 24 vibrant colour watercolour set comes with 1 good quality paint brush. Our colours are strongly pigmented, rich, and clear. Easy to create an endless range of colours. The watercolour paint set comes in a lightweight and detachable metal box. In addition, the metal ring under the case makes it easy to hold the paint set when you are working. It is very portable so that you can paint anywhere: park, beach, train, home, art class or in the studio. Our watercolour paints are all water-based, non-toxic, acid free, no harsh chemicals, recommended age range: 3 years and above. Suitable for art students and professional artists. An ideal gift for a birthday, Christmas, Thanksgiving, graduation, or any other special event. We believe in our quality products so if there is any problem for any reason, please contact us for a satisfactory solution.

Discover the joy of watercolor painting with the Faber-Castell 12 Color Set. This compact and affordable set is perfect for beginners and experienced artists alike, offering a vibrant selection of colors to inspire your creativity.

Hahnemühle Andalucía 500gsm is a natural white, acid-free and age resistant watercolour paper.The front side of the paper has the texture and charm, as well as the water-holding behaviour, of high-quality mould-made papers. The reverse side has a cold pressed matt surface which also offers interesting painting effects.Available in the following sizes: 24 x 32cm, 30 x 40cm, 36 x 48cm, 42 x 56cm.

Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour.

Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic.

Natural white, acid free, lightfast and extremely age resistant.

The stability and strength of this board offers excellent flatness when wet. The hard surface offers easy application of colour.

Ideal for all wet painting techniques: watercolour – especially wet-in-wet painting, smooth wash and also dry painting – as well as lavis, gouache, tempera and acrylic.

Hahnemühle Britannia is an acid-free, lightfast and extremely age resistant watercolour paper. The stability and strength of this paper offers excellent flatness when wet, while the hard surface offers easy application of colour.These papers are ideal for all wet painting techniques: watercolour—especially wet-in-wet painting, smooth wash and also dry painting—as well as gouache, tempera and acrylic.Available in blocks and sheets.

Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.

Saunders Waterford is an exquisite watercolour paper, traditionally made on a cylinder mould machine. This is the superior quality watercolour paper made by St Cuthberts Mill and comes with the Royal Watercolour Society’s endorsement. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. This is a very high quality watercolour paper that can be used with a variety of media. Mould made, gelatin tub-sized and acid free. A very stable and durable paper, calcium carbonate buffered with 4 deckle edges.

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface. For watercolour and all painting and drawing media. For oil painting prime with acrylic gesso.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.