Sap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Yellow Ochre is a warm yellow. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Dioxazine Purple is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is a transparent coal tar pigment and was introduced into the Winsor & Newton range in the 1960s.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Sepia is a black brown colour. Originally made in the 18th from the ink sacks of cuttlefish, it is now made from a mixture of carbon and umber. It is a highly permanent colour.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Cerulean Blue Hue is a bright blue pigment with green undertones. It is a careful combination of pigments closely resembling genuine Cerulean Blue.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Mauve is a rich violet colour. Originally a lake pigment, Mauve was discovered in England 1856 by Sir William Perkin and quickly became a fashionable clothing colour during the Victorian age.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Indian Red is an opaque red with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

Purple Lake is a transparent, cool dark purple.

Our popular Cotman Watercolours come in 48 colours. They are made with fine art pigments so are uncompromising on quality with good tinting strength.

Accessible but uncompromising on quality. Available in 48 colours, across tubes and pans. Formulated for transparency and lightfastness, Cotman Watercolours are accessible without compromising on quality.

What do you get when you mix pigment, wax, and oil? You get a pigment stick of creamy soft texture also known as Gelatos. Gelatos are acid-free, odorless, and water-soluble. They can be used by themselves or combined with water through a series of techniques to create a watercolor medium.

Gelatos with mixed media art
Gelatos quality pigment is resistant to fading under normal lighting conditions and is compatible with most other acrylic mediums. The easy twist up design of Gelatos makes them easy to maintain and store and their solid opaque color is perfect to cover large surfaces.

Gelatos can be used on paper, cloth, canvas, wood, and fabric. We recommend using a thicker paper such as watercolor paper and using a sealant when working with fabric. Gelatos are also great to use when journaling in your books, notebooks, or bibles, and their vibrant colors look great against dark colored surfaces. With such versatility, it can be hard to know where to start with your Gelatos. Here you can find a handful of techniques to gain a better understanding of this medium.

(Note: when using Gelatos with fabric, treat your work as a piece of art. We do not recommend laundering any items to which Gelatos have been applied.)

Blending Gelatos is a great technique to add color and dimension to your work. Combine colors together to create new colors and blend multiple colors together with your fingertips, a cotton swab, water, or a blending tool. Another technique to try on your Gelatos is edging. With the edging technique, create a distressed or grunge effect by drawing color along the edge of your paper then blend to fade color inward.

Pentel is an international stationery brand recognised by consumers globally and is renowned for its innovation and quality products.
Pentel boasts a wide range of ballpoint pens, mechanical pencils, correction products (fluid & tape), markers and art materials.

The Broad Tip Pentel Water Brush is an artist's brush that houses water in a barrel in the brush handle. The water is supplied to the fibre brush tip via a valve, giving a constant flow of water when the brush meets a porous surface.
For wet on wet techniques just add slight pressure to the barrel and to clean the brush simply apply pressure to the barrel and the dirty water will work its way out of the fibre tips.

Pentel is an international stationery brand recognised by consumers globally and is renowned for its innovation and quality products.
Pentel boasts a wide range of ballpoint pens, mechanical pencils, correction products (fluid & tape), markers and art materials.

The Broad Tip Pentel Water Brush is an artist's brush that houses water in a barrel in the brush handle. The water is supplied to the fibre brush tip via a valve, giving a constant flow of water when the brush meets a porous surface.
For wet on wet techniques just add slight pressure to the barrel and to clean the brush simply apply pressure to the barrel and the dirty water will work its way out of the fibre tips.

The TechnoArt Art Scholor Drawing Pad has a coarse grain and uses non-ageing, acid free paper. The paper has 165 gsm interlocked fibers making it more durable.

Connector - more than just a name: there are many possibilities for painting, games and crafts.

Paint wonderful watercolours to your heart's content with the Daler Rowney Simply Watercolour Set! With 6 bold and bright colours that can all be blended and mixed to create even more, you'll have everything you need to create that perfect watercolour scene.

Pigment: CadmiumsulphoselenideLightfastness: ****Opacity: OpaqueDescription: Warm, brilliant red tone.

Colour Index: PR108

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Duochrome Aquamarine is a colour that shifts between soft blue-green and a shimmering iridescent blue. This luminescent paint (with metal oxides) catches and reflects light, mimicking the glitter of water.

Artists' Watercolours are characterized by their rich, free-flowing colour, which never leaves any hard lines at the edge of a wash. Their unparalleled performance is a product of precise formulations, based on the suspension of the very finest quality pigments in an aqueous solution of gum Arabic. Only the best pigments, regardless of cost, are used in the manufacture of Artists’ Watercolours.Artists’ Watercolours are formulated to maximise the varying tint strengths of different pigments.

Dr. Ph. Martin's Radiant Concentrated Water Color is produced in an extremely concentrated form to achieve the greatest possible brilliance. Each liquid color comes in an iconic 0.5 oz (15 ml) glass bottle package with its own eyedropper.

Dr. Ph. Martin's colors are primarily formulated for use in graphic arts work on paper surfaces intended for reproduction (e.g. cartooning, illustration, and other graphic arts), and are especially popular for airbrushing. Like all dye based colors though, they are fugitive when exposed to direct sunlight over time.

For lightfast, archival watercolor use Dr. Ph. Martin's Radiant Fine Art Watercolor.

L'Aquarelle Sennelier has been produced in the same way for more than a century using the best pigments and top quality Kordofan Gum Arabic as a bonding agent.This mix of natural ingredients produces colours which have a smooth, bright texture and offer lively, colourful shades. The Gum Arabic and honey combination offers incomparable quality of application, producing superb washes. Then, this base is mixed with pigments and carefully ground. Sennelier makes sure to wet the pigments in purified water (with no mineral salts) for 24 hours before mixing them in with the bonding agent. This improves the way in which the colours and bonding merge together, in turn bringing out the full beauty of the colours.

Sennelier watercolours are ground in the traditional way using grindstones rotating slowly so as not to heat up the paste. This operation is carried out in several stages until the paste are as fine as possible thus getting rid of any particles which might impair the perfection of the wash.

This exceptional and very high quality watercolour will help you make your works even more powerful due to the liveliness and purity of the hues. The colours mix together perfectly, offering superbly subtle shades. These smooth, intense colours will be a genuine pleasure to paint with. The addition of honey will allow the tubes and pans of Sennelier watercolours to stand up to the passing of time and each time you will paint with them you will be able to accurately translate the diversity of light, shape and hues.

Pigment: Iron cyan blueLightfastness: ****Opacity: Semi-opaqueDescription: Traditional tone with high lightfastness.

Colour Index: PB27

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Red iron oxide, QuinacridoneLightfastness: *****Opacity: OpaqueDescription: Violet, deep red-brown. Synthetic pigments create high tinting strength and opacity. Recommended for landscape painting and portrait.

Colour Index: PR101/PR206

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Red iron oxide, Ultramarine blue,Lamp blackLightfastness: ****Opacity: Semi-opaqueDescription: Traditional Schmincke neutral grey. Mixture of red, blue and black. Slightly cooler than neutral tint.

Colour Index: PR101/PB29/PBk 7

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Pigment: Rutil-nickel-tin-titaniumLightfastness: ****Opacity: Semi-opaqueDescription: Semi-opaque light yellow. Acid- and alkali-resistant. Cool yellow for soft, thin colour layers.

Colour Index: PY53

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.