Albrecht Dürer artists' watercolour pencils provide artists with great versatility of expression when drawing, shading and painting in watercolours. High-quality materials, combined with over 250 years of experience, have resulted in watercolour pencils that produce unsurpassed watercolour effects and vibrancy. The coloured surface can be transformed with only a few fine or broad brush strokes to reveal the full and unique power of the colours. Depending on the paper being used, the pigments can be completely dissolved, and will then behave in the same way as classic watercolour paints.

Created in consultation with the President and Council of the Royal Watercolour Society, this neutral white, artist-quality paper is designed for use with water-based paints. It is made from a mixture of cotton and linen, and is sized with gelatin. Each sheet is deckle-edged, and bears the stamp and watermark of the RWS. Please note, this sheet is hot-pressed: it has an extremely smooth surface, ideal for detailed watercolour painting. At 425gsm, this is a slightly thicker and heavier sheet. For more information on the production and properties of watercolour papers, click here.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Artists quality cotton rag paper, for watercolour and all painting and drawing media. Khadi rag papers are made from 100% cotton rag. Cotton rags have longer fibres than linters which are the shorter fluffy cotton seed fibres commonly used in papermaking. Genuine rag papers are rare and it is the fibre length of this raw material that gives Khadi rag papers their exceptional strength and durability. The cotton rag we use comes from T-shirt cuttings from garment factories, a reliable source of pure woven cotton.

320gsm, packs of 20 sheets

MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour. 

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 22x30in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Because watercolour paint is transparent the colour of the paper is a very important part of the painting. The colour of the ground will affect everything on top of it, both the painted and unpainted areas, even different shades of white. The artist can substantially alter the mood and atmosphere of the painting by using a coloured paper. These Bockingford tinted papers are worth experimentation.This tinted paper is also a great drawing paper and is useful for a wide range of techniques.Specifications: Blue Full Imperial sheets which are 30 x 22 inches (76cm x 56cm), 140lb (300gsm) Acid free (archival neutral PH) Lightfast colours Rotary trimmed on all four edges Not surface (cold pressed) Mould-made Woodfree Internally sized

Pigments: PV19

Permanency: Absolutely Permanent Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Colour: Pyrrole RedColour Pigment Index: PR254Colour Lightfastness: Excellent Transparency: Semi-TransparentStaining: StainingGranulation: No GranulationLifting: Hard A European style transparent watercolour, Holbein watercolour preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. They are produced without ox-gall, animal by-products or other dispersing agents, which permits greater colour density and brush control.The range has a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or moulding in the palette. Colours can be rewetted and used like a pan colour - simply fill the wells of a suitable palette with the desired colour selection, allow it to dry, then wet the colour when needed.Holbein offers a 108-colour range, available in 5ml and 15ml tubes.

All watercolour boards selected by Daler-Rowney are made from the highest quality wood pulp and cotton fibres, and they're all acid-free to prevent discoloration over time. Particularly suited to line and wash illustration work.

Canson® Mixed Media Essentia is a versatile paper that can be used for all techniques (wet and dry). Its texture offers artists a beautiful alternative, that reflects the light and brings brilliance to the pigments. Its tint is ideal for a harmonious rendering of colours and its surface results in accentuated colour contrasts.

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a moderately textured Not surface.

Arches Aquarelle watercolour paper is acid-free and chlorine free. It is made of 100% cotton fibres which provide strength and stability and professional archival quality. The paper is tub-sized in natural gelatine and air-dried, so it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. It also contains an anti-microbial agent to help resist mildew. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Suitable for watercolour, gouache, pen and ink, acrylics and calligraphy.

Sizing is important to watercolor paper. It helps the paper accept washes, scratching and erasing without affecting the actual fibers and strength of the paper.

Manufactured in the same French mill since 1492, Arches watercolour papers are produced on a cylinder mould with pure French stream water. Made with natural gelatin sizing. It is naturally white - containing no optical brighteners, and offers optimal longevity. Each sheet of Arches watercolour paper is hand inspected to ensure consistency and durability.

Please note, this product has a NOT (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes.

Aquarius is a range of artist quality watercolours made by Roman Szmal. The majority of Roman Szmal colours are single pigment paints, which ensure clean mixing and let artists easily create their own colour palettes.

Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.

Aquarius is a range of mostly single pigment paints made by Roman Szmal. The range features mostly single pigmented colours - 117 out of 140 colours are monopigment paints. Such a wide range of single pigment paints ensures clean mixing and lets artists create their own colour palettes.

The range contains a few unique tones such as PY61, PY168, PV37, PBr23 or PBk8. The 34 Earth Shades are made from natural earths, not synthetic iron oxides, and these unusual pigments are found in many different places around the world. Some unique shades are created exclusively by Roman Szmal, such as Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Green Gold and Olive Green.

Each colour is made with high-quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper.

The set contains the following colours: 204 Lemon Yellow, 323 Aquarius Red, 223 Ultramarine Light, 346 Aquarius Green, 239 Caput Mortuum.

This Empty Metal Watercolour Box will hold 12 half pans. Create your own custom set of half pan watercolours. The enamelled metal tin with a plastic inlay has a folding-out side palette to create extra space for mixing colours. The image shown to the left is the inside of the box when it is opened out.

Pigments: PO73, PW6

Permanency: Moderately Durable Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Permanency: Moderately Durable Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

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Hardback sketchbook, 32 pages. Section stitched binding. One deckle edge. Cover paper is Bhutanese tsasho. Pages are artists’ handmade paper from Khadi Papers India. The paper is 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Medium-Rough surface. For watercolour and all painting and drawing media.