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Books > Music > Western music, periods & styles

BBC Proms 2021 - Festival Guide (Paperback): BBC Proms 2021 - Festival Guide (Paperback)
R401 R224 Discovery Miles 2 240 Save R177 (44%) Ships in 12 - 17 working days

The BBC Proms is the world's biggest and longest-running classical music festival and one of the jewels in the crown for the BBC. Held every summer at the Royal Albert Hall in London, it is one of the strongest brand names in the music world and attracts a glittering array of artists and orchestras. Whether you're a first-time visitor or an experienced Prommer, watching at home or listening on radio or online, the BBC Proms Guide will be an excellent companion to a remarkable summer of music, which you can treasure and return to in years to come. Filled with the latest programme details and illuminating articles by leading experts, journalists and writers, the BBC Proms Guide gives a wide-ranging insight into the performers and repertoire, as well as thought-provoking opinion pieces about audiences, music and music-making. The contents for 2021 include a specially commissioned short story by award-winning author Chibundu Onuzo; an exploration of music and silence by author, commentator and broadcaster Will Self; a celebration of the history and influence of the iconic Royal Albert Hall 150 years after its opening by historian, author, curator and television presenter Lucy Worsley; a tribute to anniversary composer Igor Stravinsky; and an article spotlighting the remarkable Kanneh-Mason siblings (spearheaded by royal-wedding cellist Sheku).

Encrypted Messages in Alban Berg's Music (Paperback): Siglind Bruhn Encrypted Messages in Alban Berg's Music (Paperback)
Siglind Bruhn
R1,415 Discovery Miles 14 150 Ships in 12 - 17 working days

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Samuel Barber - A Research and Information Guide (Paperback, 2nd edition): Wayne Wentzel Samuel Barber - A Research and Information Guide (Paperback, 2nd edition)
Wayne Wentzel
R1,507 Discovery Miles 15 070 Ships in 12 - 17 working days

An annotated reference guide to Barber's life, works and achievements, it will prove valuable for anyone seeking information on him.

Ballades - Chopin National Edition Volume I (Paperback): Frederic Chopin Ballades - Chopin National Edition Volume I (Paperback)
Frederic Chopin; Edited by Jan Ekier
R609 R521 Discovery Miles 5 210 Save R88 (14%) Ships in 10 - 15 working days
Silence - Lectures and Writings (Paperback, New edition): John Cage Silence - Lectures and Writings (Paperback, New edition)
John Cage
R497 R472 Discovery Miles 4 720 Save R25 (5%) Ships in 12 - 17 working days
The International Who's Who in Classical/Popular Music Set 2021 (Hardcover, 6th edition): Europa Publications The International Who's Who in Classical/Popular Music Set 2021 (Hardcover, 6th edition)
Europa Publications
R32,580 Discovery Miles 325 800 Ships in 12 - 17 working days

Combining the International Who's Who in Classical Music and the International Who's Who in Popular Music, this two-volume set provides a complete view of the whole of the music world. Within the International Who's Who in Classical Music, each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. The International Who's Who in Popular Music boasts detailed entries, including full biographical information, such as principal career details, recordings and compositions, honours and contact information.

The Music of Stravinsky - Collected Essays (Hardcover): Pieter C. van den Toorn The Music of Stravinsky - Collected Essays (Hardcover)
Pieter C. van den Toorn
R1,665 Discovery Miles 16 650 Ships in 9 - 15 working days

The analytic-theoretical approach to Stravinsky’s music introduced in the opening four chapters of this volume became the standard in theoretical and musicological circles during the past several decades. The features of the approach were adopted and expanded upon by numerous scholars: see Richard Taruskin, Stravinsky and the Russian Period (1996); Jonathan Cross, The Stravinsky Legacy (1998); and Stephen Walsh. Working independently from an historical perspective, Richard Taruskin came to many of the same conclusions regarding Stravinsky’s musical language. Entirely unique is the discussion of the rhythmic emphasis of Stravinsky’s music, the metrical displacement of repeated themes and chords, and the disruptive effect of displacement on the listener. Brought into play is the evolutionary history of meter and its entrainment by the listener; the concept of "sensorimotor synchronization" as advanced by the psychologist Bruno Repp, and that in turn of the "contrametric" nature of Stravinsky’s music as introduced by David Huron. Explored is the relationship between African polyrhythm, as discussed by Kofi Agawu, David Locke, and Steve Reich, to the polyrhythmic stratifications in Stravinsky’s The Rite of Spring. Of major concern are the critical and aesthetic issues arising from the interpretation and performance of Stravinsky’s music. The aesthetic views not only of Stravinsky himself but also of critics such as Theodor Adorno, Richard Taruskin, and Robert Craft are discussed at length. Accompanying the essays are over 100 musical illustrations and analytical designs, set and processed with consummate skill by Andre Mount. The essays are prefaced by a newly composed Introduction and then concluded with a lengthy unpublished chapter on the individual work and its classification; "Reflections on the Post-War years of Babbitt, Schoenberg, and Stravinsky". Interactions between the three composers are discussed, as is the relocation, by the early 1940s, of the Paris-Vienna split between Stravinsky and Schoenberg to Los Angeles, California. Even in the twilight years of their respective careers, Stravinsky and Schoenberg remained at a distance from one another.

Regina Mingotti: Diva and Impresario at the King's Theatre, London (Paperback): Michael Burden Regina Mingotti: Diva and Impresario at the King's Theatre, London (Paperback)
Michael Burden
R1,415 Discovery Miles 14 150 Ships in 12 - 17 working days

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingotti's London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingotti's years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

Representing Emotions - New Connections in the Histories of Art, Music and Medicine (Paperback): Helen Hills Representing Emotions - New Connections in the Histories of Art, Music and Medicine (Paperback)
Helen Hills; Edited by Penelope Gouk
R1,415 Discovery Miles 14 150 Ships in 12 - 17 working days

Juxtaposing artistic and musical representations of the emotions with medical, philosophical and scientific texts in Western culture between the Renaissance and the twentieth century, the essays collected in this volume explore the ways in which emotions have been variously conceived, configured, represented and harnessed in relation to broader discourses of control, excess and refinement. Since the essays explore the interstices between disciplines (e.g. music and medicine, history of art and philosophy) and thereby disrupt established frameworks within the histories of art, music and medicine, traditional narrative accounts are challenged. Here larger historical forces come into perspective, as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political, social and religious struggles, at a variety of different levels.

International Who's Who in Classical Music 2019 (Hardcover, 35th edition): Europa Publications International Who's Who in Classical Music 2019 (Hardcover, 35th edition)
Europa Publications
R16,249 R5,194 Discovery Miles 51 940 Save R11,055 (68%) Ships in 12 - 17 working days

The International Who's Who in Classical Music 2019 is a vast source of biographical and contact information for singers, instrumentalists, composers, conductors, managers and more. Each entrant has been given the opportunity to update his or her information for the new improved 2019 edition. Each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. International Who's Who in Classical Music includes individuals involved in all aspects of the world of classical music: composers, instrumentalists, singers, arrangers, writers, musicologists, conductors, directors and managers. Key Features: - over 8,000 detailed biographical entries - covers the classical and light classical fields - includes both up-and-coming musicians and well-established names. This book will prove valuable for anyone in need of reliable, up-to-date information on the individuals and organizations involved in classical music.

Mapping the Motet in the Post-Tridentine Era (Hardcover): Esperanza Rodriguez-Garcia, Daniele V. Filippi Mapping the Motet in the Post-Tridentine Era (Hardcover)
Esperanza Rodriguez-Garcia, Daniele V. Filippi
R3,917 Discovery Miles 39 170 Ships in 12 - 17 working days

Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre's rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).

Baronial Patronage of Music in Early Modern Rome (Hardcover): Valerio Morucci Baronial Patronage of Music in Early Modern Rome (Hardcover)
Valerio Morucci
R3,902 Discovery Miles 39 020 Ships in 12 - 17 working days

This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage - the support of a person or institution and their work by a patron - in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence.

On the Origin and Progress of the Art of Music by John Taverner (Hardcover): Joseph M Ortiz On the Origin and Progress of the Art of Music by John Taverner (Hardcover)
Joseph M Ortiz
R3,903 Discovery Miles 39 030 Ships in 12 - 17 working days

John Taverner's lectures on music constitute the only extant version of a complete university course in music in early modern England. Originally composed in 1611 in both English and Latin, they were delivered at Gresham College in London between 1611 and 1638, and it is likely that Taverner intended at some point to publish the lectures in the form of a music treatise. The lectures, which Taverner collectively titled De Ortu et Progressu Artis Musicae ("On the Origin and Progress of the Art of Music"), represent a clear attempt to ground musical education in humanist study, particularly in Latin and Greek philology. Taverner's reliance on classical and humanist writers attests to the durability of music's association with rhetoric and philology, an approach to music that is too often assigned to early Tudor England. Taverner is also a noteworthy player in the seventeenth-century Protestant debates over music, explicitly defending music against Reformist polemicists who see music as an overly sensuous activity. In this first published edition of Taverner's musical writings, Joseph M. Ortiz comprehensively introduces, edits, and annotates the text of the lectures, and an appendix contains the existing Latin version of Taverner's text. By shedding light on a neglected figure in English Renaissance music history, this edition is a significant contribution to the study of musical thought in Renaissance England, humanism, Protestant Reformism, and the history of education.

David Matthews - Essays, Tributes and Criticism (Paperback): Thomas Hyde David Matthews - Essays, Tributes and Criticism (Paperback)
Thomas Hyde
R485 Discovery Miles 4 850 Ships in 12 - 17 working days

Essays and memoirs by and about one of Britain's leading symphonists. A lively collection by contributions from Roger Scruton, Judith Weir, John McCabe, Arnold Whittall, Hugh Wood and many others. 2013 saw the seventieth birthday of David Matthews, the British composer who has established an international reputation as a leading symphonist of our time. This collection, the first on his work, marks the occasion with lively contributions from a host of distinguished musicians and writers. Matthews has supplemented his freelance career by writing extensively and personally on music, and the first part of the book includes all his important essays and reviews to date. These survey the present scene, discuss symphonists (notably Mahler and Sibelius) and focus on individual composers (notably Britten and Tippett). By including extracts from his journal and letters, ThomasHyde's substantial editorial notes sketch out an accompanying biography. This is supplemented in the second part by extended memoirs from Roger Scruton and Peter Sculthorpe, and a collection of tributes in words and music by JamesFrancis Brown, the Smirnov family, Maggie Hemingway, Robin Holloway, Robin Leanse, Colin Matthews, John McCabe, Sir Paul McCartney, Pavel Zemek Novak and Judith Weir. The third part offers a critical forum on Matthews's music. Here, an overview by Malcolm Macdonald leads to essays on symphonies, concertos, quartets and other works by Arnold Whittall, Edward Venn, Geraint Lewis, Hugh Wood and the editor. Frank Ward adds a witty, bibulous epilogue. David Matthews studied composition privately with Anthony Milner, assisted Benjamin Britten and collaborated with Deryck Cooke on the performing version of Mahler's Tenth Symphony. His large musical output includes contributions to most of the instrumental and vocal genres; he has also published monographs on Tippett (1980) and Britten (2003). For 13 years he was artistic director of the Deal Festival. Thomas Hyde has lectured at theCity University (London) and Worcester College, Oxford. His compositions include a one-man opera That Man Stephen Ward (2007), a string quartet (2010) and a violin sonata (2012).

Historical Interplay in French Music and Culture, 1860-1960 (Hardcover): Deborah Mawer Historical Interplay in French Music and Culture, 1860-1960 (Hardcover)
Deborah Mawer
R3,914 Discovery Miles 39 140 Ships in 12 - 17 working days

This edited volume of case studies presents a selective history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, the book explores the nature of relationships between one main period, broadly the 'long' modernist era between 1860-1960, and its own historical 'others', referencing topics from the Romantic, classical, baroque, renaissance and medieval periods. It probes the emergent interplay, intertextualities and scope for reinterpretation across time and place. Notions of cultural meaning are paramount, especially those pertaining to French identity, national and individual. While founded on historical musicology, the approach benefits from interdisciplinary association with philosophy, political history, literature, fine art, film studies and criticism. Attention is paid to French composers' celebrations and remakings of their predecessors. Editions of and writings about earlier music are examined, together with the cultural reception of performances of past repertoire. Organized into two parts, each of the eleven chapters characterizes a specific cultural network or temporal interplay, which may result in synthesis, disjunction, or historical misreading. The interwar years and those surrounding the Second World War prove particularly rich sources of enquiry. This volume aims to attract a wide readership of musicologists and musicians, as well as cultural historians, other humanities scholars and concert-goers.

Guarini's 'Il pastor fido' and the Madrigal - Voicing the Pastoral in Late Renaissance Italy (Paperback): Seth... Guarini's 'Il pastor fido' and the Madrigal - Voicing the Pastoral in Late Renaissance Italy (Paperback)
Seth Coluzzi
R1,207 Discovery Miles 12 070 Ships in 9 - 15 working days

Battista Guarini's pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover's lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture. From the play's beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madrigals in the 1640s, this book examines how this widely read yet controversial text became the center of a lasting and prolific music tradition. Using a new integrative system of musical-textual analysis based on sixteenth-century theory, Seth Coluzzi demonstrates how composers responded not only to the sentiments, imagery, and form of the play's speeches, but also to subtler details of Guarini's verse. Viewing the musical history of Guarini's work as an integral part of the play's roles in the domains of theater, literature, and criticism, this book brings a new perspective to the late Italian madrigal, the play, and early modern patronage and readership across a diverse geographical and temporal frame.

The Malmariee in the Thirteenth-Century Motet (Hardcover): Dolores Pesce The Malmariee in the Thirteenth-Century Motet (Hardcover)
Dolores Pesce
R1,402 Discovery Miles 14 020 Ships in 9 - 15 working days

This monograph offers a comprehensive study of the topos of the malmariee or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariee motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariee texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariee motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain's meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.

Sing Aloud Harmonious Spheres - Renaissance Conceptions of Cosmic Harmony (Hardcover): Jacomien Prins, Maude Vanhaelen Sing Aloud Harmonious Spheres - Renaissance Conceptions of Cosmic Harmony (Hardcover)
Jacomien Prins, Maude Vanhaelen
R3,916 Discovery Miles 39 160 Ships in 12 - 17 working days

This is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the 'Scientific Revolution'. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony offers a new perspective on the reception of an important classical theme in various cultural, sequential and geographical contexts, underlying the continuities and changes between Antiquity, the Middle Ages and the Renaissance. This project will be of particular interest within these emerging disciplines as they continue to explore the ideological significance of the various ways in which we appropriate the past.

Olivier Messiaen - A Research and Information Guide (Hardcover, 2nd edition): Vincent Benitez Olivier Messiaen - A Research and Information Guide (Hardcover, 2nd edition)
Vincent Benitez
R4,216 Discovery Miles 42 160 Ships in 12 - 17 working days

Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers. With multiple indices, this annotated bibliography will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field. The second edition has been fully revised and updated.

The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Hardcover): Matthew Arndt The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg (Hardcover)
Matthew Arndt
R3,916 Discovery Miles 39 160 Ships in 12 - 17 working days

This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker's and Schoenberg's inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker's and Schoenberg's work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker's and Schoenberg's conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Robert Armin and Shakespeare's Performed Songs (Hardcover): Catherine A Henze Robert Armin and Shakespeare's Performed Songs (Hardcover)
Catherine A Henze
R3,908 Discovery Miles 39 080 Ships in 12 - 17 working days

After Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory-similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays' songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.

Gaspar Cassado - Cellist, Composer and Transcriber (Hardcover): Gabrielle Kaufman Gaspar Cassado - Cellist, Composer and Transcriber (Hardcover)
Gabrielle Kaufman
R4,209 Discovery Miles 42 090 Ships in 12 - 17 working days

Barcelonian Gaspar Cassado (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassado, containing the results of seven years of research into his life and legacy, after following the cellist's steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassado's creative output: composition, transcription and performance, especially focusing on Cassado's plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassado's role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassado's works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassado's works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer's significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassado: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.

Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Paperback): Peter Dayan Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond (Paperback)
Peter Dayan
R1,621 Discovery Miles 16 210 Ships in 12 - 17 working days

In 1877, Ruskin accused Whistler of 'flinging a pot of paint in the public's face'. Was he right? After all, Whistler always denied that the true function of art was to represent anything. If a painting does not represent, what is it, other than mere paint, flung in the public's face? Whistler's answer was simple: painting is music - or it is poetry. Georges Braque, half a century later, echoed Whistler's answer. So did Braque's friends Apollinaire and Ponge. They presented their poetry as music too - and as painting. But meanwhile, composers such as Satie and Stravinsky were presenting their own art - music - as if it transposed the values of painting or of poetry. The fundamental principle of this intermedial aesthetic, which bound together an extraordinary fraternity of artists in all media in Paris, from 1885 to 1945, was this: we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of art in another medium. Peter Dayan traces the history of this principle: how it created our very notion of 'great art', why it declined as a vision from the 1960s and how, in the 21st century, it is fighting back.

Devotional Music in the Iberian World, 1450-1800 - The Villancico and Related Genres (Paperback): Tess Knighton Devotional Music in the Iberian World, 1450-1800 - The Villancico and Related Genres (Paperback)
Tess Knighton
R1,651 Discovery Miles 16 510 Ships in 12 - 17 working days

From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

On Sonic Art (Paperback, Revised ed): Trevor Wishart On Sonic Art (Paperback, Revised ed)
Trevor Wishart; Edited by Simon Emmerson
R2,900 Discovery Miles 29 000 Ships in 12 - 17 working days

In this newly revised book On Sonic Art, Trevor Wishart takes a wide-ranging look at the new developments in music-making and musical aesthetics made possible by the advent of the computer and digital information processing. His emphasis is on musical rather than technical matters. Beginning with a critical analysis of the assumptions underlying the Western musical tradition and the traditional acoustic theories of Pythagoras and Helmholtz, he goes on to look in detail at such topics as the musical organization of complex sound-objects, using and manipulating representational sounds and the various dimensions of human and non-human utterance. In so doing, he seeks to learn lessons from areas (poetry and sound-poetry, film, sound effects and animal communication) not traditionally associated with the field of music.
About the Author
Trevor Wishart is a composer, living and working in the North of England. His musical works cover a wide range, from environmental music events staged in spe

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