All five volumes of George Santayana's philosophical masterwork exploring the manifestations of reason in life are united in this superb edition. The Life of Reason begins boldly, with Santayana explaining his concept of reason in great detail. How a mind may embark and progress on applying rational thought to life is explained, and the practical value of such thinking methods are demonstrated. The second volume sees the author questioning whether men can be exhorted to virtuous behaviors without the concept of a creator, heaven, hell or other supernatural concepts. The third volume, Reason in Religion, is an emotional and at times autobiographical account of Santayana's own struggles with faith. Volumes four and five concern science and art, respectively. The basis of artistic expression and its grounding in reasoning is discussed, with chapters dedicated to the visual art of painting and also music.

In May 2010, philosophers, family and friends gathered at the University of Notre Dame to celebrate the career and retirement of Alvin Plantinga, widely recognized as one of the world's leading figures in metaphysics, epistemology, and the philosophy of religion. Plantinga has earned particular respect within the community of Christian philosophers for the pivotal role that he played in the recent renewal and development of philosophy of religion and philosophical theology. Each of the essays in this volume engages with some particular aspect of Plantinga's views on metaphysics, epistemology, or philosophy of religion. Contributors include Michael Bergman, Ernest Sosa, Trenton Merricks, Richard Otte, Peter VanInwagen, Thomas P. Flint, Eleonore Stump, Dean Zimmerman and Nicholas Wolterstorff. The volume also includes responses to each essay by Bas van Fraassen, Stephen Wykstra, David VanderLaan, Robin Collins, Raymond VanArragon, E. J. Coffman, Thomas Crisp, and Donald Smith.

This edited collection provides the first comprehensive volume on A. J. Ayer's 1936 masterpiece, Language, Truth and Logic. With eleven original chapters the volume reconsiders the historical and philosophical significance of Ayer's work, examining its place in the history of analytic philosophy and its subsequent legacy. Making use of pioneering research in logical empiricism, the contributors explore a wide variety of topics, from ethics, values and religion, to truth, epistemology and philosophy of language. Among the questions discussed are: How did Ayer preserve or distort the views and conceptions of logical empiricists? How are Ayer's arguments different from the ones he aimed at reconstructing? And which aspects of the book were responsible for its immense impact? The volume expertly places Language, Truth and Logic in the intellectual and socio-cultural history of twentieth-century philosophical thought, providing both introductory and contextual chapters, as well as specific explorations of a variety of topics covering the main themes of the book. Providing important insights of both historical and contemporary significance, this collection is an essential resource for scholars interested in the legacy of the Vienna Circle and its effect on ethics and philosophy of mind.

Material objects persist through time and survive change. How do they manage to do so? What are the underlying facts of persistence? Do objects persist by being "wholly present" at all moments of time at which they exist? Or do they persist by having distinct "temporal segments" confined to the corresponding times? Are objects three-dimensional entities extended in space, but not in time? Or are they four-dimensional spacetime "worms"? These are matters of intense debate, which is now driven by concerns about two major issues in fundamental ontology: parthood and location. It is in this context that broadly empirical considerations are increasingly brought to bear on the debate about persistence.
Persistence and Spacetime pursues this empirically based approach to the questions. Yuri Balashov begins by setting out major rival views of persistence -- endurance, perdurance, and exdurance -- in a spacetime framework and proceeds to investigate the implications of Einstein's theory of relativity for the debate about persistence. His overall conclusion -- that relativistic considerations favour four-dimensionalism over three-dimensionalism -- is hardly surprising. It is, however, anything but trivial. Contrary to a common misconception, there is no straightforward argument from relativity to four-dimensionalism. The issues involved are complex, and the debate is closely entangled with a number of other philosophical disputes, including those about the nature and ontology of time, parts and wholes, material constitution, causation and properties, and vagueness.

Available in English for the first time, this first draft of Heidegger's opus, "Being and Time", provides a unique insight into Heidegger's Phenomenology. "The Concept of Time" presents Heidegger's so-called Dilthey review, widely considered the first draft of his celebrated masterpiece, "Being and Time". Here Heidegger reveals his deep commitment to Wilhelm Dilthey and Count Yorck von Wartenburg. He agrees with them that historicity must be at the centre of the new philosophy to come. However, he also argues for an ontological approach to history. From this ontological turn he develops the so-called categories of Dasein. This work demonstrates Heidegger's indebtedness to Yorck and Dilthey and gives further evidence to the view that thought about history is the germ cell of "Being and Time". However, it also shows that Heidegger's commitment to Dilthey was not without reservations and that his analysis of Dasein actually employs Husserl's phenomenology. The work reopens the question of history in a broader sense, as Heidegger struggles to thematize history without aligning it with world-historical events. The text also provides a concise and readable summary of the main themes of "Being and Time" and as such is an ideal companion to that text.

A Critical Introduction to Fictionalism provides a clear and comprehensive understanding of an important alternative to realism. Drawing on questions from ethics, the philosophy of religion, art, mathematics, logic and science, this is a complete exploration of how fictionalism contrasts with other non-realist doctrines and motivates influential fictionalist treatments across a range of philosophical issues. Defending and criticizing influential as well as emerging fictionalist approaches, this accessible overview discuses physical objects, universals, God, moral properties, numbers and other fictional entities. Where possible it draws general lessons about the conditions under which a fictionalist treatment of a class of items is plausible. Distinguishing fictionalism from other views about the existence of items, it explains the central features of this key metaphysical topic. Featuring a historical survey, definitions of key terms, characterisations of important subdivisions, objections and problems for fictionalism, and contemporary fictionalist treatments of several issues, A Critical Introduction to Fictionalism is a valuable resource for students of metaphysics as well as students of philosophical methodology. It is the only book of its kind.

In our contemporary age aesthetics seems to crumble and no longer be reducible to a coherent image. And yet given the vast amount of works in aesthetics produced in the last hundred years, this age could be defined "the century of aesthetics." "20th Century Aesthetics" is a new account of international aesthetic thought by Mario Perniola, one of Italy's leading contemporary thinkers. Starting from four conceptual fields - life, form, knowledge, action - Perniola identifies the lines of aesthetic reflection that derive from them and elucidates them with reference to major authors: from Dilthey to Foucault (aesthetics of life), from Wolfflin to McLuhan and Lyotard (aesthetics of form), from Croce to Goodman (aesthetics and knowledge), from Dewey to Bloom (aesthetics and action). There is also a fifth one that touches on the sphere of affectivity and emotionality, and which comes to aesthetics from thinkers like Freud, Heidegger, Wittgenstein, Lacan, Derrida and Deleuze. The volume concludes with an extensive sixth chapter on Japanese, Chinese, Indian, Islamic, Brazilian, South Korean and South East Asian aesthetic thought and on the present decline of Western aesthetic sensibility.

This is an important collection of essays examining and promoting Foucault's influence on present-day philosophy, in both the analytic and Continental philosophical traditions."Foucault's Legacy" brings together the work of eight Foucault specialists in an important collection of essays marking the 25th anniversary of Foucault's death. Focusing on the importance of Foucault's most central ideas for present-day philosophy, the book shows how his influence goes beyond his own canonical tradition and linguistic milieu. The essays in this book explore key areas of Foucault's thought by comparing aspects of his work with the thought of a number of major philosophers, including Nietzsche, Heidegger, Rorty, Hegel, Searle, Vattimo and Williams. Crucially the book also considers the applicability of his central ideas to broader issues such as totalitarianism, religion, and self-sacrifice. Presenting a fresh and exciting vision of Foucault as a philosopher of enduring influence, the book shows how important Foucault remains to philosophy today.

Genealogies of Speculation looks to break the impasse between the innovations of speculative thought and the dominant strands of 20th century anti-foundationalist philosophy. Challenging emerging paradigms of philosophical history, this text re-evaluates different theoretical and political traditions such as feminism, literary theory, social geography and political theory after the speculative turn in philosophy. With contributions from leading writers in contemporary thought this book is a crucial resource for studying cultural and art-theory and continental philosophy.

This book draws on existential theory and original research to present the conceptual framework for an understanding of existential authenticity and demonstrates how this approach might be adopted in practice. The authors explore how a non-mediated connection with authentic lived experience might be established and introduced into everyday living. Drs. Jonathan Davidov and Pninit Russo-Netzer begin by introducing readers to the core theoretical concepts before illustrating how this might be applied in a therapeutic practice. It appeals to scholars and practitioners with an interest in existential psychology, phenomenology, and their broad implications.

This book explores a popular topic in Continental Philosophy - this is a very active area of research, one that students often encounter at upper-undergraduate/postgraduate level.In Heidegger's "Early Philosophy", James Luchte sets forth a comprehensive examination of Heidegger's phenomenology between 1924 and 1929, during which time Heidegger was largely concerned with a radical temporalization of thought. The book seeks to reconstruct Heidegger's radical phenomenology through an interpretation of all his published and unpublished works of the period, including the 1920s lecture courses and his published works, "Kant and the Problem of Metaphysics" and his magnum opus, "Being and Time". The book also explores Heidegger's relationship with other philosophers, such as Husserl, Kant and Leibniz, with respect to the question of the relationship of thought and temporality.The book addresses a significant void in the treatment of Heidegger's early phenomenology, emphasizing the importance of Heidegger's lecture courses and other works besides "Being and Time", and thereby investigates the many fragments of Heidegger's work so as to more fully comprehend the meaning and significance of the original project. James Luchte makes an extraordinary and hugely important contribution to the field of Heidegger Studies.

This book provides novel reading of the relations between two central philosophical disciplines - metaphysics and ethics. "Pragmatist Metaphysics" proposes a pragmatist re-articulation of the nature, aims and methods of metaphysics. Rather than regarding metaphysics as a 'first philosophy', an inquiry into the world independent of human perspectives, the pragmatist views metaphysics as an inquiry into categorizations of reality laden with human practices. Insofar as our categorizations of reality are practice-laden, they are also, inevitably, value-laden.Sami Pihlstrom argues that metaphysics does not, then, study the world's 'own' categorical structure, but a structure we, through our conceptual and practical activities, impose on the reality we experience and interact with. Engaging with the classical American pragmatists, in particular William James, and neopragmatists, including Hilary Putnam, the author seeks to correct long-held misconceptions regarding the nature of the relationship between metaphysics and pragmatism. He argues that a coherent metaphysical alternative to the currently fashionable realist metaphysics emerges from pragmatism and that pragmatism itself should be reinterpreted in a metaphysically serious manner. Moreover, the book argues that, from a pragmatist perspective, metaphysics must be inextricably linked with ethics.

This book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens's poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger's theories as a framework through which Stevens's poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens's repeated emphasis on the terms "being", "consciousness", "reality" and "truth" as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens's modernist techniques to broader European philosophical movements of the twentieth century.

This volume of newly written chapters on the history and interpretation of Wittgenstein's Tractatus represents a significant step beyond the polemical debate between broad interpretive approaches that has recently characterized the field. Some of the contributors might count their approach as 'new' or 'resolute', while others are more 'traditional', but all are here concerned primarily with understanding in detail the structure of argument that Wittgenstein presents within the Tractatus, rather than with its final self-renunciation, or with the character of the understanding that renunciation might leave behind. The volume makes a strong case that close investigation, both biographical and textual, into the composition of the Tractatus, and into the various influences on it, still has much to yield in revealing the complexity and fertility of Wittgenstein's early thought. Amongst these influences Kant and Kierkegaard are considered alongside Wittgenstein's immediate predecessors in the analytic tradition. The themes explored range across the breadth of Wittgenstein's book, and include his accounts of ethics and aesthetics, as well as issues in metaphysics and the philosophy of mind, and aspects of the logical framework of his account of representation. The contrast of saying and showing, and Wittgenstein's attitude to the inexpressible, is of central importance to many of the contributions. By approaching this concern through the various first-level issues that give rise to it, rather than from entrenched schematic positions, the contributors demonstrate the possibility of a more inclusive, constructive and fruitful mode of engagement with Wittgenstein's text and with each other.

Place has become a widespread concept in contemporary work in the humanities, creative arts, and social sciences. Yet in spite of its centrality, place remains a concept more often deployed than interrogated, and there are relatively few works that focus directly on the concept of place as such. The Intelligence of Place fills this gap, providing an exploration of place from various perspectives, encompassing anthropology, architecture, geography, media, philosophy, and the arts, and as it stands in relation to a range of other concepts. Drawing together many of the key thinkers currently writing on the topic, The Intelligence of Place offers a unique point of entry into the contemporary thinking of place - into its topographies and poetics - providing new insights into a concept crucial to understanding our world and ourselves.