Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of-and convey-the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal's distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts-be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with-and taking advantage of-contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated-among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.

This is an original and refreshing look at one of the most important and influential philosophers of the 20th Century. This book offers a faithful and meticulous reading of Heidegger's magnum opus, "Being and Time".Martin Heidegger was one of the most influential philosophers of the 20th century. His analysis of human existence proves an inexhaustible ground for thinkers of all backgrounds who seek answers for their specific questions left open or opened up by our times. This book explores the intrinsic connection between two fundamentally human traits, language and death. Heidegger addresses each of these traits in depth, without ever explicitly outlining their relationship in a separate theory. However, in a close examination of Heidegger's magnum opus, "Being and Time", Joachim L. Oberst uncovers a connection in three basic steps. Ultimately the author argues that the human invention of language is motivated by the drive towards immortality - language emerges from the experience of mortality as a response to it. This is a refreshing look at one of the most challenging and influential philosophers of our times.

'I should have written you after my first reading of The Living Currency; it was already breath-taking and I should have responded. After reading it a few more times, I know it is the best book of our times.' Letter to Pierre Klossowski from Michel Foucault, winter 1970. Living Currency is the first English translation of Klossowski's La monnaie vivante. It offers an analysis of economic production as a mechanism of psychic production of desires and is a key work from this often overlooked but wonderfully creative French thinker.

By the time Martin Heidegger passed away on May 26th, 1976, he had become the most important and controversial philosopher of his age. While many of his former students had become important philosophers and thinkers in their own right, Heidegger also inspired countless others, like Jacques Derrida, Michel Foucault, and Jean-Paul Sartre. The second edition of the Historical Dictionary of Heidegger's Philosophy is an historical perspective on the development of Heidegger's thought in all its nuances and facets. Schalow and Denker cast light on the historical influences that shaped the thinker and his time through a chronology; an introductory essay; a bibliography; appendixes that include German and Greek to English glossaries of terms and a complete listing of Heidegger's writings, lectures, courses, and seminars; and a cross-referenced dictionary section offering over 600 entries on concepts, people, works, and technical terms. This volume is an invaluable resource for student and scholar alike.

Sensitive to the discontinuities in Foucault's thought, neither critical nor slavishly devotional, On the Use and Abuse of Foucault for Politics demonstrates how Foucault is relevant for contemporary democratic theory. Beginning with a discussion of the interrelated ideas of power and resistance, Brent Pickett provides an interpretation of Foucault's political philosophy, including a comprehensive overview of the reasons for various conflicting interpretations, and then explores how well the different "Foucaults" can be used in progressive politics. Accessible and insightful, On the Use and Abuse of Foucault for Politics is valuable for specialists in Foucault and for students of postmodern and democratic theory alike.

This book offers a sweeping and original look at the development of continental philosophy, examining the work of several major figures, including Hegel, Heidegger, Derrida, Gadamer and Levinas.Continental philosophy has traditionally seen philosophy as historical, claiming that there are no new beginnings in the discipline, and that we must revisit the work of earlier thinkers again and again. Yet, continental philosophers rarely argue explicitly for their view of philosophy's past, and the discussions of the topic that exist tend to be riddled with confusion.Here, Robert Piercey asks why, and explores what the continental tradition must do to come to terms with this crisis. Piercey traces the confusion about history back to Hegel, who he argues sends a mixed message about historical thinking, one that is later adopted by Heidegger and then passed on to his successors. In addition to telling the story of this crisis, Piercey offers an account of historical thinking that does not lead to the difficulties that currently plague the continental tradition. The result is a highly original look at the development of continental thought and the nature of philosophy's historical turn.

This volume treats the topic of rationality developing a perspective that integrates elements of philosophy of language, phenomenology, pragmatism, and philosophy of life. The two reference authors, Wittgenstein and Ortega, are contemporaries but come from different philosophical traditions. Wittgenstein's early work was influenced by logical positivism. Later he developed an influential approach to philosophy of language. Ortega was influenced by Neo-Kantianism, perspectivism, life philosophy, and phenomenology. On this basis, he developed an independent approach that has become known as ratiovitalism. Astonishing affinities between their respective reflections on rationality motivated the experiment of bringing the different approaches into a synergetic relation. Both investigate the structures and limits of rationality, emphasize the importance of basic beliefs, and criticize the restriction of rationality concepts to the intellectual sphere. The contributions of the volume focus on: dynamics of belief and knowledge, implicit and explicit knowledge, the concept of "vital reason", the role of world-pictures and forms of life, questions regarding certainty, ignorance, doubt, and madness, as well as matters of pluralism and relativism.

This is a collection of interviews in which Cornelius Castoriadis discusses his key works and ideas. Cornelius Castoriadis (1922-1997) was a philosopher, social critic, political activist, practicisn psychoanalyst and professional economist. His work is widely recognized as one of the most singular and important contributions to twentieth-century thought. In this collection of interviews, Castoriadis discusses some of his most important ideas with leading figures in the disciplines that play such a crucial part in his philosophical work: poetry, psychoanalysis, biology and mathematics. Available in English for the first time, these interviews provide a concise and accessible introduction to his work as a whole, allowing him to draw on the astounding breadth of his knowledge (ranging from philosophy and mathematics to political theory and psychoanalysis). They also render Castoriadis' cutting, polemical and entertaining style while displaying the originality and clarity of his primary concepts. Intellectually provoking, this timely collection shows how Castoriadis' polemics are sharp and riveting, his conceptual manoeuvres rigorous and original, and his passion inspiring. This is an excellent introduction to one of Europe's most important intellectuals.

As read on BBC Radio 4's 'Book of the Week', a timely, moving and profound exploration of how writers, composers and artists have searched for solace while facing loss, tragedy and crisis, from the historian and Booker Prize-shortlisted novelist Michael Ignatieff. 'This erudite and heartfelt survey reminds us that the need for consolation is timeless, as are the inspiring words and examples of those who walked this path before us.' Toronto Star When we lose someone we love, when we suffer loss or defeat, when catastrophe strikes - war, famine, pandemic - we go in search of consolation. Once the province of priests and philosophers, the language of consolation has largely vanished from our modern vocabulary, and the places where it was offered, houses of religion, are often empty. Rejecting the solace of ancient religious texts, humanity since the sixteenth century has increasingly placed its faith in science, ideology, and the therapeutic. How do we console each other and ourselves in an age of unbelief? In a series of portraits of writers, artists, and musicians searching for consolation - from the books of Job and Psalms to Albert Camus, Anna Akhmatova, and Primo Levi - writer and historian Michael Ignatieff shows how men and women in extremity have looked to each other across time to recover hope and resilience. Recreating the moments when great figures found the courage to confront their fate and the determination to continue unafraid, On Consolation takes those stories into the present, movingly contending that we can revive these traditions of consolation to meet the anguish and uncertainties of the twenty-first century.

This book illustrates how non-pragmatic finite provinces of meaning emancipate one from pragmatic everyday pressures. Barber portrays everyday life originally, as including the interplay between intrinsic and imposed relevances, the unavoidable pursuit of pragmatic mastery, and the resulting tensions non-pragmatic provinces can relieve. But individuals and groups also inevitably resort to meta-level strategies of hyper-mastery to protect set ways of satisfying lower-level relevances-strategies that easily augment individual anxiety and social pathologies. After creatively interpreting the Schutzian dialectic between the world of working and non-pragmatic provinces, Barber describes the experience of reality in the finite provinces of religion and humor. Schutz, who only mentioned these provinces, laid out the six features of the cognitive style that characterize any finite province of meaning. This book is the first to follow up on these suggestions and depict two new finite provinces of meaning beyond those in "On Multiple Realities." While entrance into these provinces reduces everyday life tensions, it does not suffice since pragmatic relevances infiltrate the provinces, as when one uses humor to belittle competing cultural groups or one deploys religion only as an instrument to ensure crop productivity. Instead, liberation from anxieties and pathologies is brought to completion when the ego agens, the 0-point of all its coordinates, discovers its value in relation to the transcendent, even if it fails to realize its pragmatic purposes, or when one becomes comical to oneself through the eyes of another different from oneself. This book, aimed at advanced undergraduate, graduate, or scholarly audiences, presents stimulating analyses of the religious "appresentative mindset" or of the healing potential of interracial humor. Drawing heavily on interdisciplinary resources, the book also illustrates the relevance of phenomenological methods and concepts for concrete human experience. Barber offers a fresh understanding of pragmatic everyday life, original descriptions of the religious and humorous provinces of meaning, and a picture of how the overarching intentional stances of meaning-provinces, along with exposure to another perspective, can diminish the pressures everyday life engenders.

Media pervade and saturate the world around us. From the proliferation of social media sites such as Facebook and Twitter to television, radio, newspapers, films, games and email, media is inescapable. This book, using some of Deleuze's key concepts as its starting point, offers a new systematic analysis of how media functions in our lives, and how we function through our media. While Harper and Savat take Deleuze as the starting point, they extend and define his concepts, pointing out advances made by theorists such as Marx, Mumfors, McLuhan and Williams in the attempt to answer the most Deleuzean of questions, 'what is it that media do?'

In the last half-century Ludwig Wittgenstein's relevance beyond analytic philosophy, to continental philosophy, to cultural studies, and to the arts has been widely acknowledged. Wittgenstein's Tractatus Logico-Philosophicus was published in 1922 - the annus mirabilis of modernism - alongside Joyce's Ulysses, Eliot's The Waste Land, Mansfield's The Garden Party and Woolf's Jacob's Room. Bertolt Brecht's first play to be produced, Drums in the Night, was first staged in 1922, as was Jean Cocteau's Antigone, with settings by Pablo Picasso and music by Arthur Honegger. In different ways, all these modernist landmarks dealt with the crisis of representation and the demise of eternal metaphysical and ethical truths. Wittgenstein's Tractatus can be read as defining, expressing and reacting to this crisis. In his later philosophy, Wittgenstein adopted a novel philosophical attitude, sensitive to the ordinary uses of language as well as to the unnoticed dogmas they may betray. If the gist of modernism is self-reflection and attention to the way form expresses content, then Wittgenstein's later ideas - in their fragmented form as well as their "ear-opening" contents - deliver it most precisely. Understanding Wittgenstein, Understanding Modernism shows Wittgenstein's work, both early and late, to be closely linked to the modernist Geist that prevailed during his lifetime. Yet it would be wrong to argue that Wittgenstein was a modernist tout court. For Wittgenstein, as well as for modernist art, understanding is not gained by such straightforward statements. It needs time, hesitation, a variety of articulations, the refusal of tempting solutions, and perhaps even a sense of defeat. It is such a vision of the linkage between Wittgenstein and modernism that guides the present volume.

"Derrida and Theology" is an invaluable guide for those ready to ride the leading wave of contemporary theology. It gives theologians the confidence to explore the major elements of Derrida's work, and its influence on theology, without 'dumbing it down' or ignoring its controversial aspects. Jacques Derrida: a name to strike fear into the hearts of theologians. His thought has been hugely influential in shaping postmodern philosophy, and its impact has been felt across the humanities from literary studies to architecture. However, he has also been associated with the spectres of relativism and nihilism. Some have suggested he undermines any notion of objective truth and stable meaning.Fortunately, such premature judgements are gradually changing. Derrida is now increasingly seen as a major contributor to thinking about the complexity of truth, responsibility and witnessing. Theologians and biblical scholars are engaging as never before with Derrida's own deep-rooted reflections on religious themes. From the nature of faith to the name of God, from Messianism to mysticism, from forgiveness to the impossible, he has broken new ground in thinking about religion in our time. His thought and writing style remain highly complex, however, and can be a forbidding prospect for the uninitiated.This book gives theologians the confidence to explore the major elements of Derrida's work, and its influence on theology, without 'dumbing it down' or ignoring its controversial aspects. It examines his philosophical approach, his specific work on religious themes, and the ways in which theologians have interpreted, adopted and disputed them. "Derrida and Theology" is an invaluable guide for those ready to ride the leading wave of contemporary theology. "The Philosophy and Theology" series looks at major philosophers and explores their relevance to theological thought as well as the response of theology.

This work explores the philosophical positions of five postmodern thinkers--Lyotard, Rorty, Schrag, Foucault, and Derrida--to show how their critiques imply that scholars are unduly limited by the belief that inquiry is fundamentally about gaining knowledge of phenomena that are assumed to exist prior to and independent of inquiry, and to persist essentially unchanged by inquiry. The author argues that there are good reasons why this constraint is both unnecessary and undesirable, and he resituates the disciplines within a more flexible foundation that would expand what counts as legitimate inquiry. This foundation would emphasize the inquirer as a cause of reality, not just an observer who aims to accurately describe and explain phenomena. Mourad proposes an intellectual and organizational form which he calls post-disciplinary research programs. These dynamic programs would be composed of scholars from diverse disciplines who collaborate to juxtapose disparate disciplinary concepts in order to create contexts for post-disciplinary inquries.

Shoham presents existentialist and object-relationship personality theory using mythology as a projection of human behavior. Through the myth of Don Juan as well as the personality of Casanova, he highlights the biological parameter of the personality and the thought of Kierkegaard and Rabbi Nachman of Bratslav. He concludes by relating the dynamics of personality to the predisposition of crime and madness.

Foucault's intellectual indebtedness to Nietzsche is apparent in his writing, yet the precise nature, extent, and nuances of that debt are seldom explored. Foucault himself seems sometimes to claim that his approach is essentially Nietzschean, and sometimes to insist that he amounts to a radical break with Nietzsche. This volume is the first of its kind, presenting the relationship between these two thinkers on elements of contemporary culture that they shared interests in, including the nature of life in the modern world, philosophy as a way of life, and the ways in which we ought to read and write about other philosophers. The contributing authors are leading figures in Foucault and Nietzsche studies, and their contributions reflect the diversity of approaches possible in coming to terms with the Foucault-Nietzsche relationship. Specific points of comparison include Foucault and Nietzsche's differing understandings of the Death of God; art and aesthetics; power; writing and authorship; politics and society; the history of ideas; genealogy and archaeology; and the evolution of knowledge.

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern "mythmaking machine" par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope. The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.

What is to be learned from the chaotic downfall of the Weimar Republic and the erosion of European liberal statehood in the interwar period vis-a-vis the ongoing Europeancrisis? This book analyses and explains the recurrent emergence of crises in European societies. It asks how previous crises can inform our understanding of the present crisis. The particular perspective advanced is that these crises not only are economic and social crises, but must also be understood as crises of public power, order and authority. In other words, it argues that substantial challenges to the functional and normative setup of democracy and the rule of law were central to the emergence and the unfolding of these crises. The book draws on and adds to the rich 'crises literature' developed within the critical theory tradition to outline a conceptual framework for understanding what societal crises are. The central idea is that societal crises represent a discrepancy between the unfolding of social processes and the institutional frameworks that have been established to normatively stabilize such processes. The crises at issue emerged in periods characterized by strong social, economic and technological transformations as well as situations of political upheaval. As such, the crises represented moments where the existing functional and normative grid of society, as embodied in notions of public order and authority, were severely challenged and in many instances undermined. Seen in this perspective, the book reconstructs how crises unfolded, how they were experienced, and what kind of responses the specific crises in question provoked.

This work examines the rise of postmodernism in management scholarship and argues that the prevalence of postmodernist thought reflects a lack of understanding by management researchers of the core principles upon which Western business endeavour is based. The author highlights postmodernism's methodological and conceptual failings, such as disbelief in material progress and economic advancement, and its denial of generalizable laws to direct management research. In its place, the author proposes a return to traditional modernist principles in management research, based on scientific evidence. This ground breaking, timely work will spark debate and challenge previously accepted claims of postmodernism, a nice retort to the anti-business/anti-capitalist literature now prevalent in academia.

How come we ought to do things? Current metanormative debates often suffer from the fact that authors implicitly use adequacy conditions not shared by their opponents. This leads to an unsatisfying dialectical gridlock (Chang): One author accuses her opponents of not being able to account for stuff she judges essential, but the opponents do not think this to be a major flaw. In an attempt to meet the problem of gridlock head-on, the current investigation approaches oughtness differently. I start with the introduction of a grounding framework for thinking about oughtness that allows a lucid presentation of the views on the market. It soon becomes clear that one necessary part of any plausible assessment of accounts of oughtness is a discussion of their adequacy conditions. I continue with a detailed evaluation of four different accounts, as presented by Halbig (2007), Schroeder (2007), Stemmer (2006), and Scanlon (2014). My main result is that desire-based or Humean theories of oughtness are more plausible because desire-independent accounts fail to explain something crucial: the for-me character of oughtness. Based on the insights gathered thus far, I then develop a new Humean theory - metaethical conativism - and defend it against some historically influential objections.

This, the first in-depth and comprehensive book-length study of the Russian neo-Kantian movement in English language, challenges the assumption of the isolation of neo-Kantianism to Germany. The present investigation demonstrates that neo-Kantianism had an international dimension by showing the emergence of a parallel movement in Imperial Russia spanning its emergence in the late 19th century to its gradual dissolution in the aftermath of the Bolshevik Revolution. The author presents a systematic portrait of the development of Russian neo-Kantianism starting with its rise as a philosophy of science. However, it was with the stream of young students returning to Imperial Russia after a period of study at German universities that the movement accelerated. More often than not, these enthusiastic, young philosophers returned home imbued with the neo-Kantianism of their respective but divergent host institutions. As a result, clashes were inevitable concerning the proper approach to philosophical issues as well as the very understanding of Kant's philosophy and his legacy for contemporary thought. In the end, the broad promise of a Western-oriented neo-Kantianism could not withstand the pressures it confronted on all sides.