This book provides the first comprehensive account of Hume's conception of objects in Book I of "A" "Treatise of Human Nature." What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, Rocknak shows that Hume thought that objects are imagined ideas. But, she argues, he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are the causes of our perceptions. On the other hand, he thought that we only imagine such causes when we reach a "philosophical" level of thought. This tension manifests itself in Hume's account of personal identity; a tension that, Rocknak argues, Hume acknowledges in the Appendix to the "Treatise." As a result of Rocknak's detailed account of Hume's conception of objects, we are forced to accommodate new interpretations of, at least, Hume's notions of belief, personal identity, justification and causality.

In Moral Creativity, John Wall argues that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation of their world. This thesis challenges ancient Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in abstract principles or preconstituted traditions. Taking as his point of departure the poetics of the will of Paul Ricoeur, and ranging widely into critical conversations with Continental, narrative, feminist, and liberationist ethics, Wall uncovers the profound senses in which moral practice and thought involve tension, catharsis, excess, and renewal. In the process, he draws new connections between sin and tragedy, practice and poetics, and morality and myth. Rather than proposing a complete ethics, Moral Creativity is a meta-ethical work investigating the creative capability as part of what it means, morally, to be human. This capability is explored around four dimensions of ontology, teleology, deontology, and social practice. In each case, Wall examines a traditional perspective on the relation of ethics to poetics, critiques it using resources from contemporary phenomenology, and develops a conception of a more original poetics of moral life. In the end, moral creativity is a human capability for inhabiting tensions among others and in social systems and, in the image of a Creator, creating together an ever more radically inclusive moral world.

First published in 1924, this book examines one of the main philosophical debates of the period. Focusing on Kant's proof of causality, A.C. Ewing promotes its validity not only for the physical but also for the "psychological" sphere. The subject is of importance, for the problem of causality for Kant constituted the crucial test of his philosophy, the most significant of the Kantian categories. The author believes that Kant's statement of his proof, while too much bound up with other parts of his particular system of philosophy, may be restated "in a form which it can stand by itself and make a good claim for acceptance on all schools of thought".

First published in 1929, this book explores the crucial, ethical question of the objects and the justification of punishment. Dr. A. C. Ewing considers both the retributive theory and the deterrent theory on the subject whilst remaining commendably unprejudiced. The book examines the views which emphasize the reformation of the offender and the education of the community as objects of punishment. It also deals with a theory of reward as a compliment to a theory of punishment. Dr. Ewing's treatment of the topics is philosophical yet he takes in to account the practical considerations that should determine the nature and the amount of the punishment to be inflicted in different types of cases. This book will be of great interest to students of philosophy, teachers and those who are interested in the concrete problems of punishment by the state. It is an original contribution to the study of a subject of great theoretical and practical importance.

Several of Descarte's most ground-breaking essays and philosophic treatises are contained in this quality edition. Written by Ren Descartes in the 17th century and counted among the first great philosophic works of Enlightenment era, these papers contain the philosopher's thoughts on physical objects, presence and being. Descartes describes a series of vivid dreams which, for their realism, leave him in doubt as to whether he does indeed possess a body or whether it is merely an illusion. Descartes reflects upon the nature of dreams, and wonders whether their strangeness is not a consequence of God playing a trick with his mind. Discounting God as the culprit, Descartes instead places responsibility of the illusion of reality at the feet of a 'malignant demon'. The translations present in this edition were composed by the Scottish poet and scholar of philosophy John Vietch, whose academic career at The University of St. Andrews in Fife provided a firm grounding in the philosophic disciplines.

In this original contribution to the American philosophical tradition, Patrick Shade makes a strong argument for the necessity of hope in a cynical world that too often rejects it as foolish. While most accounts of hope situate it in a theological context, Shade presents a theory rooted in the pragmatic thought of such American philosophers as C. S. Peirce, William James, and John Dewey. Shade first discusses the particular hopes we pursue and then turns to the habits of hope - persistence, resourcefulness, and courage - that are vital to their realization. Indeed, habits of hope are the basis for developing hopefulness, a complex habit that nurtures and sustains us even when we fail to realize particular hopes. Hopefulness, Shade maintains, enables us to avoid the paralysis of despair. Throughout the discussion, Shade gleans insights from a variety of sources, most notably John Steinbeck's The Grapes of Wrath and Stephen King's novella ""Rita Hayworth and the Shawshank Redemption,"" but also from the real-life experiences of such heroes as Cedric Jennings and Martha Manning. These examples embody and illuminate the concept of hope and offer incentive and illustrations for developing a hopeful life. Shade's account shows how we can make hoping practical without forfeiting its unique capacity to help us grow.

This is the first collection of original essays entirely devoted to a detailed study of the Pyrrhonian tradition. The twelve contributions collected in the present volume combine to offer a historical and systematic analysis of the form of skepticism known as "Pyrrhonism". They discuss whether the Pyrrhonist is an ethically engaged agent, whether he can claim to search for truth, and other thorny questions concerning ancient Pyrrhonism; explore its influence on certain modern thinkers such as Pierre Bayle and David Hume; and examine Pyrrhonian skepticism in relation to contemporary analytic philosophy.

Rereading Freud assembles eminent philosophical scholars and clinical practitioners from continental, pragmatic, feminist, and psychoanalytic paradigms to examine Freud s metapsychology. Fundamentally distorted and misinterpreted by generations of English speaking commentators, Freud s theories are frequently misunderstood within psychoanalysis today. This book celebrates and philosophically critiques Freud s most important contribution to understanding humanity: that psychic reality is governed by the unconscious mind. The contributors focus on several of Freud s most influential theories, including the nature and structure of dreams; infantile sexuality; drive and defense; ego development; symptom formation; feminine psychology; the therapeutic process; death; and the question of race. In so doing, they shed light on the ontological commitments Freud introduces in his metapsychology and the implications generated for engaging theoretical, clinical, and applied modes of philosophical inquiry."

"Contemporary Caribbean Writing and Deleuze" maps a new intellectual and literary history of postcolonial Caribbean writing and thought spanning from the 1930s surrealist movement to the present, crossing the region's language blocs, and focused on the interconnected principles of creativity and commemoration. Exploring the work of Rene Menil, Edouard Glissant, Wilson Harris, Derek
Walcott, Antonio Benitez-Rojo, Pauline Melville, Robert Antoni and Nalo Hopkinson, this study reveals the explicit and implicit engagement with Deleuzian thought at work in contemporary Caribbean writing.Uniting for the first time two major schools of contemporary thought - postcolonialism and post-continental philosophy - this study establishes a new and innovative critical discourse for Caribbean studies and postcolonial theory beyond the oppositional dialectic of colonizer and colonized. Drawing
from Deleuze's writings on Bergson, Nietzsche and Spinoza, this study interrogates the postcolonial tropes of newness, becoming, relationality and a philosophical concept of immanence that lie at the heart of a little-observed dialogue between contemporary Caribbean writers and Deleuze.

This book approaches the topic of intercultural understanding in philosophy from a phenomenological perspective. It provides a bridge between Western and Eastern philosophy through in-depth discussion of concepts and doctrines of phenomenology and ancient and contemporary Chinese philosophy. Phenomenological readings of Daoist and Buddhist philosophies are provided: the reader will find a study of theoretical and methodological issues and innovative readings of traditional Chinese and Indian philosophies from the phenomenological perspective. The author uses a descriptive rigor to avoid cultural prejudices and provides a non-Eurocentric conception and practice of philosophy. Through this East-West comparative study, a compelling criticism of a Eurocentric conception of philosophy emerges. New concepts and methods in intercultural philosophy are proposed through these chapters. Researchers, teachers, post-graduates and students of philosophy will all find this work intriguing, and those with an interest in non-Western philosophy or phenomenology will find it particularly engaging.

Nietzsche's metaphor of the spider that spins its cobweb expresses his critique of the metaphysical use of language - but it also suggests that we, spiders , are able to spin different, life-affirming, healthier, non-metaphysical cobwebs. This book is a collection of 12 essays that focus not only on Nietzsche's critique of the metaphysical assumptions of language, but also on his effort to use language in a different way, i.e., to create a new language . It is from this viewpoint that the book considers such themes as consciousness, the self, metaphor, instinct, affectivity, style, morality, truth, and knowledge. The authors invited to contribute to this volume are Nietzsche scholars who belong to some of the most important research centers of the European Nietzsche-Research: Centro Colli-Montinari (Italy), GIRN (Europhilosphie), SEDEN (Spain), Greifswald Research Group (Germany), NIL (Portugal). In 2011 Joao Constancio and Maria Joao Mayer Branco edited Nietzsche on Instinct and Language, also published by Walter de Gruyter. The two books complement each other.

A key development in Wittgenstein Studies over recent years has been the advancement of a resolutely therapeutic reading of the Tractatus. Rupert Read offers the first extended application of this reading of Wittgenstein, encompassing Wittgenstein's later work too, to examine the implications of Wittgenstein's work as a whole upon the domains especially of literature, psychopathology, and time. Read begins by applying Wittgenstein's remarks on meaning to language, examining the consequences our conception of philosophy has for the ways in which we talk about meaning. He goes on to engage with literary texts as Wittgensteinian, where 'Wittgensteinian' does not mean expressive of a Wittgenstein philosophy, but involves the literature in question remaining enigmatic, and doing philosophical work of its own. He considers Faulkner's work as productive too of a broadly Wittgensteinian philosophy of psychopathology. Read then turns to philosophical accounts of time, finding a link between the division of time into discrete moments and solipsism of the present moment as depicted in philosophy on the one hand and psychopathological states on the other. This important book positions itself at the forefront of a revolutionary movement in Wittgenstein studies and philosophy in general and offers a new and dynamic way of using Wittgenstein's works.

The Philosophy of Philip Kitcher contains eleven chapters on the work of noted philosopher Philip Kitcher, whose work is known for its broad range and insightfulness. Topics covered include philosophy of science, philosophy of biology, philosophy of mathematics, ethics, epistemology, and philosophy of religion. Each of the chapters is followed by a reply from Kitcher himself. This first significant edited volume devoted to examining Kitcher's work is an essential reference for anyone interested in understanding this important philosopher.

Wittgenstein in America is a collection of essays exploring the legacy of Wittgenstein's work in contemporary American philosophy. The contributors (including several eminent philosophers) take a variety of approaches to Wittgenstein; they discuss such topics as rule-following, realism about mathematics, the method of the Tractatus, the relation between style and content in Wittgenstein, and his distinction between sense and nonsense. Wittgenstein is discussed in relation to subsequent philosophers such as Quine and Kripke. This will be essential reading for specialists in Wittgenstein, and will interest many other philosophers besides.

From Ego to Eco - Mapping Shifts from Anthropocentrism to Ecocentrism investigates philosophical, political and aesthetic formations of ecocentrism. Representing a variety of disciplines and testing a broad scope of critical approaches, the contributors of this volume argue that anthropocentrism is not - as often claimed - a predominant world view but, rather, a widely contested concept. Within various historical and national contexts, the individual contributors of this book discuss the significance and relevance of ecocentrism and offer new avenues to emerging discourses in the humanities. Contributors are: Darrell Arnold, Roman Bartosch, Aengus Daly, Gearoid Denvir, Elisabeth Jutten, Karla McManus, Sabine Lenore Muller, Maureen O' Connor, Lillis O Laoire, Helen Phelan, Tina-Karen Pusse, and Christian Schmitt-Kilb.

Kurt Gödel (1906-1978) was the most outstanding logician of the twentieth century. This second volume of a comprehensive edition of Gödel's works collects the remainder of his published work, covering the period 1938-1974. (Volume I included all of his publications from 1929-1936). Each article or closely related group of articles is preceded by an introductory note that elucidates it and places it in historical context. The aim is to make the full body of Gödel's work as accessible and useful to as wide an audience as possible, without in any way sacrificing the requirements of historical and scientific accuracy.

Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings remain generally neglected. Yet literature is a central element in his aesthetic theory. Building on the current emergent interest in modern philosophical aesthetics, this book offers a wide-ranging account of the literary components of Adorno's thinking. Bringing together original essays from a distinguished international group of contributors, it offers the reader a user-friendly path through the major areas of Adorno's work in this area. It is divided into three sections, dealing with the concept of literature, with poetry and poetics, and with modernity, drama and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist thought and cultural studies.

In this work, the author argues that the Oedipus complex represents the core of psychoanalysis as well as the fundamental constitution of the human being.

Professors Murphy and Choi use postmodern philosophy to expose an important source of racism and cultural domination. They examine foundationalism, which they see at the core of the Western intellectual tradition and which is shown to foster a metaphysics of domination. By contrast, postmodernism undermines this root of racism.

They demonstrate that foundationalism is not needed to support identity, institutions, or political order. Indeed, they assert that true pluralism is possible once foundationalist approaches to knowledge and order are set aside. Special attention is directed to two current modes of discrimination: institutional racism and symbolic violence. Murphy and Choi provide an intriguing look at ways to undercut the justification for racism and other threats to cultural difference. This volume will be of particular interest to scholars and other researchers in the areas of race relations, cultural studies, and political theory.