The first English language book to focus on these traditional free reed wind instruments from Southwestern China, providing complete instruction for the absolute beginner. Includes background of the bawu and hulusi, advice on buying an instrument, basic and not-so-basic playing techniques, some familiar Western tunes to help you find your way around your instrument, a dozen traditional Chinese melodies, advice on care and maintenance, how to read JianPu (Chinese musical notation), fingering charts, recommended listening and more. .mp3 files of all the musical examples in the book are available for free download from the author's web site.

A comprehensive study text for students beginning a serious study of jazz. The first part of the book begins by teaching elements of jazz phrasing, articulation, vibrato and interpretation of rhythms through exercises and original pieces. Next, the book encourages improvisational skills through both theoretical and technical studies of scales and chords. The second half of the book builds on the skills learned in the first part with an in-depth study of the theory, which underlies improvisational techniques including scales, modal concepts and chord construction. Ear training, particularly the development of the ability to hear chord progressions is also emphasized.

(Book). These beautiful instruments have long been a favorite with musicians. This book is a history, source book and owner's manual for players and fans which covers the facts and figures necessary for serious collectors. In addition to many black and white historical photos, there is also a 32-page color section highlighting models. The book covers the company's full history, specific styles and models of all instruments, Hawaiian, blues, and jazz artists who have used Nationals, a history of their advertising, set-up and maintenance, and much more. Appendixes include serial numbers for all instruments, a company chronology and a Hawaiian Artist Discography.

Heroes & Heroines of Clarinettistry contains a representative selection of articles written over a 40-year period by Pamela Weston, well-known as an authority in all aspects relating to the clarinet, especially its performers and the composers who wrote for them. New and fascinating information is revealed on best-known composer/clarinettist relationships such as Mozart with Anton Stadler, Weber with Heinrich Baermann, Spohr with Simon Hermstedt and Brahms with Richard Muhlfeld. Further subjects include the following: clarinettists of the French Revolution (including a map of Paris showing where they lived), Russia's clarinet dynasty, early 19th-century female performers, the great Finnish clarinettist Crussell whose diary tells of French Revolution events and a Napoleonic military parade, Verdi's clarinettist Cavallini who played for and was on familiar terms with the Tsar, the full stories of Stanford's concerto (it was Pamela Weston who got this beautiful work published for the first time, fifty years after the composer's death) and Ireland's Fantasy-Sonata (how the composer worked with the Sonata's dedicatee, Frederick Thurston). These articles were originally published in the following journals: The Clarinet (U.S.A.), National Association of College Wind & Percussion Instructors (U.S.A.), Clarinet & Saxophone (U.K.), Musical Times (U.K.), Music & Musicians (U.K.), Music Teacher (U.K.).

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The internationally acclaimed, widely beloved flutist reflects on his storied career

Sir James Galway is one of the top musicians of our time, with a dazzling career that has spanned five decades and many genres of music. Now he celebrates his seventieth birthday with a look back on his incredible career, during which he has traveled around the world many times over and made countless friends, including legends from the worlds of classical and popular music. He reflects on the challenges he faced coming from the poverty of working-class Belfast and making the decision to go solo as a flutist, as well as the triumphs as he made his way to the top of his profession.Offers a rare, personal glimpse at the life of a modern musical master whose work has ranged across the musical spectrum with collaborators as diverse as the Berlin Philharmonic, the Chieftains, John Denver, and Pink FloydIncludes delightful stories from Galway's career of more than fifty yearsShares the challenges of touring and of melding public and private life

By turns witty and informative, engaging and inspiring, "The Man with the Golden" Flute is a captivating read for fans of Galway and his music.

Barry Shears examines the history and traditions of Gaelic-speaking pipers whose emigration to Nova Scotia ensured that the role and music of Highland piping not only survived, but thrived for a long time. Dance to the Piper provides historical background and provides numerous biographical sketches of key figures in the Nova Scotia tradition and analyzes why this cultural reality endured in Nova Scotia. It also examines the social, economic and cultural developments which altered the status, role and perception of the piper in society, and their eventual decline. Shears shows an abiding respect for those tradition bearers and Dance to the Piper represents more than twenty years of research, interviews and recordings of the last of the traditional-style pipers in Nova Scotia.

For advanced soprano recorder or intermediate flute: 41 arrangements based on spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Composers include Basile Bars, A. J. R. Conner, Henry Hart, Francis Johnson, and J. W. Postlewaite. Old favorites include Banyan Tree, Carry Me Back to Old Virginny, Doctor Bird, Down by the Riverside, and Ev'ry Time I Feel the Spirit. Includes fingering chart for high notes, performance notes, and suggestions for use with sound system and/or percussion. Supported by Internet-accessible melody-specific Historical Notes for all the solos.

Focusing on one of the legendary musicians in jazz, this book examines Miles Davis's often overlooked music of the mid-1960s with a close examination of the evolution of a new style: post bop. Jeremy Yudkin traces Davis's life and work during a period when the trumpeter was struggling with personal and musical challenges only to emerge once again as the artistic leader of his generation.

A major force in post-war American jazz, Miles Davis was a pioneer of cool jazz, hard bop, and modal jazz in a variety of small group formats. The formation in the mid-1960s of the Second Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams was vital to the invention of the new post bop style. Yudkin illustrates and precisely defines this style with an analysis of the 1966 classic Miles Smiles.

The Roadmap to Drive Your Way to Success on the Trumpet!
Discover the secrets to playing trumpet with ease, efficiency, control and finesse. Trumpet Chop Doc Jeanne G Pocius shares her experience and wisdom about trumpet playing, performing, and teaching.

Easy-to-follow lessons and clear photographs and diagrams help guide you to achieve the very best in tone, technique and posture. The selection of music is fresh and exciting, including duets and rounds to inspire the student and ensure that those crucial practice hours are never boring! Book 2 builds on Book 1 and delivers more advanced technique, repertoire and theory, and all with the great variety of pieces and exercises that are the hallmark of the series. The accompanying audio CD features a virtuoso performance and backing track for each piece, as well as recorded examples to support the lessons. This award-winning tutorial series is an essential stepping-stone for every young musician and is a vital tool for teachers and students alike.

Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835.

Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.