Witchcraft holds a continued fascination for readers around the world, and the Scottish witch hunts have recently received renewed media attention, especially with the BBC 2 show Lucy Worsley Investigates, bringing attention to Edinburgh's witches. Expert Mary Craig explores the unusual story of Agnes Finnie, a middle class shopkeeper who lived in the tenements of Edinburgh. After arrest, most witches were tried within a matter of days but not Agnes. Her unusual case took months with weeks of deliberation of the jury. Mary explains why and gives her expert insight into the political and religious tensions that led to her burning. The book will interest a variety of readers, academics and non-academics alike - those interested in witchcraft, British and Scottish history, religious studies and women's studies. Mary Craig works as a historian with museums, archives and schools and hosts regular, well-attended events on the subject of witchcraft in the Scottish Borders. We expect strong media coverage. The Witches of Scotland campaign has recently gained traction and the attention of first minister Nicola Sturgeon, calling for a pardon and apology to those accused during the witch hunts.

Gathering together the vast literature on witchcraft related issues published in the last decade, this six-volume set focuses on issues such as gender, government and law, the culture of religion and the occult. Using approaches from several disciplines, including anthropology and sociology, this source provides a sweeping overview of the occult.

From Wren Maple, the Thrifty Witch, comes an introduction to witchcraft with a variety of spells, tips, and tricks to get the most out of your practice. There's nothing wrong with simple and straightforward. Easy spells are not less worthy spells. These ideas are central to the practice of the Thrifty Witch. Sick of not being able to easily source (or afford) what she needed for spells, Wren Maple dedicated herself to collecting and optimizing spells that could work for all witches-no matter where they were on their journey and no matter their personal resources. Now The Thrifty Witch is sharing her research and bringing her collection to the page for the first time. The Thrifty Witch's Book of Simple Spells is part primer, part spellbook. It includes: Getting started/witch basics: Witchcraft as self-care, how to establish a practice, and a handful of super-easy spells to get casting today. Key ingredients for spells: Starter stones and herbs, how to source, what to buy first, and more questions answered! Simple spells for every witch: Just like the spells Wren is known for online, nearly every spell in the book requires five items or fewer, and all ingredients are easy to source. Specific spells: Organized by purpose (e.g. love spells, protection spells), these spells are sure to cover what you're looking to cast. Tips and Tricks for Casting: When to cast for best results, where to cast and why it matters...make your spells count! The beauty of these spells is that they are easy enough and affordable enough to practice daily. Since practice and process are so important, this book provides an invaluable resource-unlocking the ability to try new spells and refine casting methods multiple times per week-even daily.

A perfect entry point for anyone interested in green magick, this all-in-one guide explains everything you need to know before beginning your own nature-inspired practice. Author Annabel Margaret runs the popular YouTube channel, The Green Witch, where she teaches everyday tools and techniques for leading a more magickal life. In this must-have handbook, she'll guide your on your green witchcraft journey from embracing intent and intuition to creating and casting spells, all utilizing easy-to-find items and simple methods. Ward the home with protective herbs; bake love, abundance or luck into tasty treats; create purpose-infused spell bags or craft soothing salves, energizing sprays and cleansing infusions. With clear instruction, straightforward information on foundational principles and tons of witchy wisdom, the magickal opportunities are endless.

Women come to the fore in witchcraft trials as accused persons or as witnesses, and this book is a study of women's voices in these trials in eight countries around the North Sea: Spanish Netherlands, Northern Germany, Denmark, Scotland, England, Norway, Sweden, and Finland. From each country, three trials are chosen for close reading of courtroom discourse and the narratological approach enables various individuals to speak. Throughout the study, a choir of 24 voices of accused women are heard which reveal valuable insight into the field of mentalities and display both the individual experience of witchcraft accusation and the development of the trial. Particular attention is drawn to the accused women's confessions, which are interpreted as enforced narratives. The analyses of individual trials are also contextualized nationally and internationally by a frame of historical elements, and a systematic comparison between the countries shows strong similarities regarding the impact of specific ideas about witchcraft, use of pressure and torture, the turning point of the trial, and the verdict and sentence. This volume is an essential resource for all students and scholars interested in the history of witchcraft, witchcraft trials, transnationality, cultural exchanges, and gender in early modern Northern Europe.

People with eating disorders often make desperate attempts to exert magical control over their bodies in response to the threats they experience in relationships. Mary Levens takes the reader into the realm of magical thinking and its effect on ideas about eating and the body through a sensitive exploration of the images patients create in art therapy, in which themes of cannibalism constantly recur. Drawing on anthropology, religion and literature as well as psychoanalysis, she discusses the significance of these images and their implications for treatment of patients with eating disorders.

The Magical Control of the Body will be of interest to all of those concerned with patients or clients who have troubled relationships, both with others and with their own bodies.

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Spanning from the innauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. In "Art and Magic in the Court of the Stuarts," Vaughan Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature.Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldy, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

The popular Wiccapedia gets the ultimate companion journal!   A Book of Shadows is a journal that witches keep close at hand for jotting down their spells—and this beautiful keepsake edition, by the authors of Wiccapedia, is the perfect accompaniment to that popular guide for modern witches. A concise first section features basic information on essential tools for spells, key herbs and crystals, moon phases and magick, and a wheel of yearly Wiccan holidays. Over 225 pages of journal pages follow, where you can record all the details of your spellcraft such as the date, the phase of the moon, the ingredients . . . and the results.  

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

Phyllis Curott’s first book, Book of Shadows, was an inspirational, spiritual memoir that chronicled her journey from Ivy League-educated, New York City attorney to Wiccan High Priestess. By inviting readers of all faiths to share in her own personal transformation, Phyllis debunked many of the myths surrounding Wicca and revealed it for what it really is: a spiritual movement whose tenets of Goddess worship and reverence for Nature were a great deal more accessible and familiar than she’d ever expected. In Witch Crafting, Phyllis digs deep into the practices and principles of Witchcraft to provide a comprehensive guidebook that anyone "novices and seasoned practitioners alike" can use to incorporate the beauty and power of Wicca into their own daily lives.
Far from being just another mechanical spell book, Witch Crafting is the first book to offer readers not only the how-to of Witchcraft, but also the why-to, explaining the profound spiritual tenets behind Wiccan techniques. Filled with both traditional and innovative shamanic practices, Phyllis also provides an empowering new definition of magic and reexamines the ethics under which Witchcraft is practiced, offering a groundbreaking alternative to the Threefold Law. With enchanting stories from Curott’s own experiences, Witch Crafting will also teach you how to:
• Master the secret arts of effective spellcasting

• Create sacred space and personal rituals

• Perform divinations for spiritual insight and earthly success

• Tap into the power of altered states, such as dreaming, meditation, prayer, and trance

• Keep a magical journal and create your own Book of Shadows ·Keep a magical

Rich with detailed advice for making magic, working with Nature, and finding the Divine within, as well as thought-provoking evaluations of this remarkable spirituality, Witch Crafting is the special volume that you’ve been searching for. Whether you are a beginner or have been practicing Witchcraft for years, whether you worship in a coven or on your own, Witch Crafting is the ideal handbook for you, or anyone seeking to unlock the divine power that makes real magic happen and experience the ecstasy, energy, and gifts of the Universe more fully.


From the Hardcover edition.

First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.

A collection of essays on Scottish witchcraft and witch-hunting, which covers the whole period of the Scottish witch-hunt, from the mid-sixteenth century to the early eighteenth. Includes studies of particular witchcraft panics such as a reassessment of the role of King James VI. Covers a wide range of topics concerned with Scottish witch-hunting and places it in the context of other topics such as gender relations, folklore, magic and healing, and moral regulation by the church and state. Provides a comparative dimension of witch-hunting beyond Scotland - one on the global context, and one comparing Scotland with England. It is a showcase for the latest thinking on the subject and will be of interest to all scholars studying witchcraft in early modern Europe, as well as the general reader wanting to move beyond shallow and sensational accounts of a subject of compelling in. -- .

WINNER OF THE DESMOND ELLIOTT PRIZE 2021 'Riveting, appalling, addictive' Megan Nolan England, 1643. Puritanical fervour has gripped the nation. In Manningtree, depleted of men since the Civil War began, the women are left to their own devices and Rebecca West chafes against the drudgery of her days. But when Matthew Hopkins arrives, asking bladed questions and casting damning accusations, mistrust and unease seep into the lives of the women. Caught between betrayal and persecution, what must Rebecca West do to survive? 'Deft and witty... dazzling and precise' New Statesman

The Malleus Maleficarum is one of the best-known treatises dealing with the problem of what to do with witches. It was written in 1487 by a Dominican inquisitor, Heinrich Institoris, following his failure to prosecute a number of women for witchcraft, it is in many ways a highly personal document, full of frustration at official complacency in the face of a spiritual threat, as well as being a practical guide for law-officers who have to deal with a cunning, dangerous enemy. Combining theological discussion, illustrative anecdotes, and useful advice for those involved in suppressing witchcraft, its influence on witchcraft studies has been extensive. The only previous translation into English, that by Montague Summers produced in 1928, is full of inaccuracies. It is written in a style almost unreadable nowadays, and is unfortunately coloured by his personal agenda. This new edited translation, with an introductory essay setting witchcraft, Institoris, and the Malleus into clear, readable English, corrects Summers' mistakes and offers a lean, unvarnished version of what Institoris actually wrote. It will undoubtedly become the standard translation of this important and controversial late-medieval text. -- .