Fascinating and highly informative, The Appearance of Witchcraft explores how visual representations of witchcraft contributed to the widespread acceptance of witch beliefs in sixteenth-century Europe and helped establish the preconditions for the widespread persecution of witches.

Focusing on the visual contraction, or figure of the witch, and the activity of witchcraft, Zika places the study in the context of sixteenth-century withcraft and demonological theory, and in the turbulent social and religious changes of the period.

Zika argues that artists and printers used images to relate witchcraft theories, developed by theologians and legitimated by secular authorities, to a whole range of contemporary discourses on women and gender roles, sexuality, peasant beliefs and medical theories of the body. He also examines the role of artist as mediators between the ideas of the elite and the ordinary people.

For students of medieval history or anyone interested in the appearance of witchcraft, this will be an enthralling and invaluable read.

Women come to the fore in witchcraft trials as accused persons or as witnesses, and this book is a study of women's voices in these trials in eight countries around the North Sea: Spanish Netherlands, Northern Germany, Denmark, Scotland, England, Norway, Sweden, and Finland. From each country, three trials are chosen for close reading of courtroom discourse and the narratological approach enables various individuals to speak. Throughout the study, a choir of 24 voices of accused women are heard which reveal valuable insight into the field of mentalities and display both the individual experience of witchcraft accusation and the development of the trial. Particular attention is drawn to the accused women's confessions, which are interpreted as enforced narratives. The analyses of individual trials are also contextualized nationally and internationally by a frame of historical elements, and a systematic comparison between the countries shows strong similarities regarding the impact of specific ideas about witchcraft, use of pressure and torture, the turning point of the trial, and the verdict and sentence. This volume is an essential resource for all students and scholars interested in the history of witchcraft, witchcraft trials, transnationality, cultural exchanges, and gender in early modern Northern Europe.

Historians as well as anthropologists have contributed to this volume of studies on aspects of witchcraft in a variety of cultures and periods from Tudor England to twentieth-century Africa and New Guinea. Contributors include: Mary Douglas, Norman Cohn, Peter Brown, Keith Thomas, Alan Macfarlane, Alison Redmayne, R.G. Willis, Edwin Ardener, Robert Brain, Julian Pitt-Rivers, Esther Goody, Peter Riviere, Anthony Forge, Godfrey Lienhardt, I.M. Lewis, Brian Spooner, G.I. Jones, Malcolm Ruel and T.O. Beidelman. First published in 1970.

Containing ten essays by anthropologists on the beliefs and practices associated with witches and sorcerers in Eastern Africa, the chapters in this book are all based on field research and new information which is studied within its wider social context. First published in 1963.

Katharine Briggs enjoys an unchallenged reputation in the world of folklore studies. The theme of this volume, the witch figure as a malevolent intermediary in folk belief, was chosen to reflect that aspect of Briggs's scholarship exemplified in her study of witchcraft, Pale Hecate's Team. The contributors draw on the disciplines of archaeology, comparative religion, sociology and literature and include: Carmen Blacker, H.R. Ellis Davidson, Margaret Dean-Smith, L.V. Grinsell, Christina Hole, Venetia Newall, Geoffrey Parrinder, Anne Ross, Jacqueline Simpson, Beatrice White, John Widdowson. Originally published in 1973.

'Witches occupy a clear place in contemporary imagination. We can see them, shadowy, in the corners of the past: mad, glamorous, difficult, strange. They haunt the footnotes of history - from medieval witches burning at the stake to the lurid glamour of the 1970s witchcraft revival. But they are moving out of history, too. Witches are back. They're feminist, independent, invested in self-care and care for the world. They are here, because they must be needed.' What it means to be a witch has changed radically throughout history; where 'witch' was once a dangerous - and often deadly - accusation, it is now a proud self-definition. Today, as the world becomes ever more complicated and as we face ecological, political and economic crisis - witchcraft is experiencing a resurgence. Witches are back. In A Spell in the Wild, Alice Tarbuck explores what it means to be a witch today. Rooted in the real world, but filled with spells, rituals and recipes, this book is an accessible, seasonal guide to witchcraft in the twenty-first century. Following the course of a witch's calendar year while also exploring the history and politics of witchcraft, A Spell in the Wild is the perfect primer for the contemporary witch.

Gathering together the vast literature on witchcraft related issues published in the last decade, this six-volume set focuses on issues such as gender, government and law, the culture of religion and the occult. Using approaches from several disciplines, including anthropology and sociology, this source provides a sweeping overview of the occult.

• This volume provides a combination of the major schools of thought on the Salem witch trials and incorporates the current scholarship on the subject. Events are presented in a narrative format that delivers the drama of the trials and leaves instructors free to explore specific topics of their choosing in greater depth. An analysis of key issues is provided at the end of each chapter. • The third edition has been significantly updated to include an expanded section on the European origins of witch hunts and an update and expand epilogue which discusses the witch hunts – real and imagined, historical and cultural – since 1692. Allowing students new to the phenomenon of the witch-hunts and trials to better understand their origins and impact upon the national psyche. • The bibliography has been substantially updated, an extensive list of internet resources, sources of primary documents, documentaries, movies, artwork, and resources to assist lecturers with using this book in their classrooms and students to further their studies.

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

People with eating disorders often make desperate attempts to exert magical control over their bodies in response to the threats they experience in relationships. Mary Levens takes the reader into the realm of magical thinking and its effect on ideas about eating and the body through a sensitive exploration of the images patients create in art therapy, in which themes of cannibalism constantly recur. Drawing on anthropology, religion and literature as well as psychoanalysis, she discusses the significance of these images and their implications for treatment of patients with eating disorders.

The Magical Control of the Body will be of interest to all of those concerned with patients or clients who have troubled relationships, both with others and with their own bodies.

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Spanning from the innauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. In "Art and Magic in the Court of the Stuarts," Vaughan Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature.Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldy, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

The Malleus Maleficarum is one of the best-known treatises dealing with the problem of what to do with witches. It was written in 1487 by a Dominican inquisitor, Heinrich Institoris, following his failure to prosecute a number of women for witchcraft, it is in many ways a highly personal document, full of frustration at official complacency in the face of a spiritual threat, as well as being a practical guide for law-officers who have to deal with a cunning, dangerous enemy. Combining theological discussion, illustrative anecdotes, and useful advice for those involved in suppressing witchcraft, its influence on witchcraft studies has been extensive. The only previous translation into English, that by Montague Summers produced in 1928, is full of inaccuracies. It is written in a style almost unreadable nowadays, and is unfortunately coloured by his personal agenda. This new edited translation, with an introductory essay setting witchcraft, Institoris, and the Malleus into clear, readable English, corrects Summers' mistakes and offers a lean, unvarnished version of what Institoris actually wrote. It will undoubtedly become the standard translation of this important and controversial late-medieval text. -- .

Witchcraft holds a continued fascination for readers around the world, and the Scottish witch hunts have recently received renewed media attention, especially with the BBC 2 show Lucy Worsley Investigates, bringing attention to Edinburgh's witches. Expert Mary Craig explores the unusual story of Agnes Finnie, a middle class shopkeeper who lived in the tenements of Edinburgh. After arrest, most witches were tried within a matter of days but not Agnes. Her unusual case took months with weeks of deliberation of the jury. Mary explains why and gives her expert insight into the political and religious tensions that led to her burning. The book will interest a variety of readers, academics and non-academics alike - those interested in witchcraft, British and Scottish history, religious studies and women's studies. Mary Craig works as a historian with museums, archives and schools and hosts regular, well-attended events on the subject of witchcraft in the Scottish Borders. We expect strong media coverage. The Witches of Scotland campaign has recently gained traction and the attention of first minister Nicola Sturgeon, calling for a pardon and apology to those accused during the witch hunts.

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

Shows students of the history of witchcraft and magic that the beliefs of the seventeenth century continued through the Enlightenment, despite the attempts by philosophers to dismiss magic and its practice, into the nineteenth century. The volume is divided into three sections highlighting different definitions of magic including the concern over the non-material world as found in popular and elite practices, its relationship with science and medicine, and other forms of divination available to the general population. Providing students with a broad view of how magic was engaged with in the eighteenth century to inform their own studies. Explores the relationship between magic, science and medicine providing students with a good understanding of how the emerging fields of science and medicine came into conflict with popular belief in and practice of magic. Allowing students to see why magic still resonated with the general public into the nineteenth century.

First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.

This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural. -- .

Do you ever find that the earth stills and you suddenly feel acutely alive? Have you ever looked into an animal's eyes and felt the pull of a more primal world? Do you sometimes feel panic rise, or isolation sink upon you, or simply feel out of kilter with the modern world? 'Inside my cauldron is a thick fistful of paper, old diary entries, work "to do" lists, notes I wrote while I was in a bad place and feeling trapped in a life that was keeping my mind small and narrow; thoughts and feelings that are holding me back, keeping me tied to a time I want to let go of. These papers are flashes of lightning across a darkened room and I want them gone. As they curl and burn, twisting in their black spirals like the farewell flourish of a travelling cloak, a sense of calm sweeps through my chest and shoulders. I feel it so strongly, like a blast of ice to my system, shivering out the old thoughts. I'm burning a path for something new to come in.' One winter, Jennifer Lane reached breaking point in her fast-paced office life. In the year that followed her stress-related illness, she set out to rediscover the solace and purpose that witchcraft had given her as a teenager. The Wheel is an immersive, engaging read - exploring the life-long draw of witchcraft and our vulnerability to toxic working environments and digital demands. In her year-long journey Jennifer explores ancient festivals and rituals, and visits fellow pagans and wild landscapes, in search of wisdom and peace. For those who are sick at heart of noise, anger and disconnection, The Wheel is full of wise words, crackling rituals and natural beauty. This is a quest to discover how to live fully connected to the natural world while firmly in the twenty-first century.

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though ‘pretty much worn away’ the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.