Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

A scientific discovery of witches in fiction-Chilled Adventures of Sabrina, Sleeping Beauty, Wicked and so many more! Kelly Florence and Meg Hafdahl, authors of The Science of Women in Horror and co-hosts of the Horror Rewind podcast called "the best horror film podcast out there" by Film Daddy, present a guide to the history of witchcraft through the stories and characters we all know and love. Reveal the spellbinding science behind the legends and lore surrounding fiction's most iconic witches, answering such questions as: What is the science behind divination and spellcraft? When did witchcraft begin to show up in literature and media? Has science made it possible to uncover the truth behind the powers of necromancy and employing familiars? How has witchcraft been thought of throughout the world? Through interviews, film and literary analysis, and bone-chilling discoveries, join Kelly and Meg as they learn about the complicated and rich science of witchcraft throughout the centuries and discover why now is the season of the witch!

This is an original and important study of the significance of witchcraft in English public life in the seventeenth and eighteenth centuries. In this lively account, Ian Bostridge explores contemporary beliefs about witchcraft and shows how it remained a serious concern across the spectrum of political opinion. He concludes that its gradual descent into polite ridicule had as much to do with political developments as with the birth of reason.

The Book of Black Magic is Arthur Edward Waite's magnum opus of occult lore; this edition contains the author's original icons, symbols, seals and drawings. This supreme guide to occultist history, lore, magick, and ceremony is split into two parts: The first is entitled ""The Literature of Ceremonial Magic."" Here, Waite examines the ritualistic traditions which surrounding the occult movement for centuries. He notes various texts, and how these had a bearing upon the practice of the occult and of magical ceremony. The second part, ""The Complete Grimoire,"" concerns how those who practice black magic and occult ritual become versed in the craft. The stringent physical and mental requirements, and the need to practice a spiritual attunement and inner ablution, is detailed. Astronomical knowledge of the planets and their movements is a necessity, as is possession of a variety of instruments, plus a deep knowledge of the various symbols and scripts used in occultism.

From early sorcery trials of the 14th century--associated primarily with French and Papal courts--to the witch executions of the late 18th century, this book's entries cover witch-hunting in individual countries, major witch trials from Chelmsford, England, to Salem, Massachusetts, and significant individuals from famous witches to the devout persecutors. Entries such as the evil eye, familiars, and witch-finders cover specific aspects of the witch-hunting process, while entries on writers and modern interpretations provide insight into the current thinking on early modern witch hunts. From the wicked witch of children's stories to Halloween and present-day Wiccan groups, witches and witchcraft still fascinate observers of Western culture. Witches were believed to affect climatological catastrophes, put spells on their neighbors, and cavort with the devil. In early modern Europe and the Americas, witches and witch-hunting were an integral part of everyday life, touching major events such as the Reformation and the Scientific Revolution, as well as politics, law, medicine, and culture.

Witch in Darkness guides readers through the concept of witchcraft as a life-saving, soul-nurturing practice to be reached for in the darkness and relied upon when all else has failed. Readers will be inspired to use witchcraft practices and mindsets for all kinds of challenging issues, from resolving career confusion and relationship problems to healing family wounds and facing bereavement. For each theme, the book provides: a look into the author’s personal experiences insights into how different kinds of witches all over the world are using the craft for healing, growth and empowerment journal prompts and activities, creating a compassionate interactive element throughout. The book’s raw and honest tone will peel back the surface layers of witchcraft’s meaning and power, asking the reader to go deeply into how they want the craft to help them to heal and grow. This is real witchcraft that works and changes lives.

'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle - and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.

This is a beautiful book filled with stunning illustrations, rituals and potions to help you boost wellbeing and fall in love with yourself through the power of magick! Self-Love Potions is bursting with glorious herbal recipes and rituals to help you make the most of your me time. You deserve it! Beautiful illustrations can be found throughout this sumptuous title, which is packed with ideas from talented moon witch Valeria Kapusta (@cosmicvaleria) to help you mindfully explore your craft. With recipes ranging from teas, tinctures, oils and tonics, to bath mixes and fragrances, it is the the perfect gift to give, either to yourself or a loved one! Recipes include: Heart-soothing lilac-infused honey to ease heartbreak,  Energy cleansing empath bath,  Thyme infusions for courage and self-confidence Dandelion bath salt for inner joy Floral hair rinse to remove creative blocks Violet infused sugar to sweeten gloomy days Develop your self-love practice, enhance your wellbeing, and connect with yourself and nature with this gorgeous, herby handbook. If you enjoyed this book, you might also like Natural Magick and Earth Magick...

• This volume provides a combination of the major schools of thought on the Salem witch trials and incorporates the current scholarship on the subject. Events are presented in a narrative format that delivers the drama of the trials and leaves instructors free to explore specific topics of their choosing in greater depth. An analysis of key issues is provided at the end of each chapter. • The third edition has been significantly updated to include an expanded section on the European origins of witch hunts and an update and expand epilogue which discusses the witch hunts – real and imagined, historical and cultural – since 1692. Allowing students new to the phenomenon of the witch-hunts and trials to better understand their origins and impact upon the national psyche. • The bibliography has been substantially updated, an extensive list of internet resources, sources of primary documents, documentaries, movies, artwork, and resources to assist lecturers with using this book in their classrooms and students to further their studies.

Between the years of 1898 and 1926, Edward Westermarck spent a total of seven years in Morocco, visiting towns and tribes in different parts of the country, meeting local people and learning about their language and culture; his findings are noted in this two-volume set, first published in 1926. The first volume contains extensive reference material, including Westermarck's system of transliteration and a comprehensive list of the tribes and districts mentioned in the text. The chapters in this, the second volume, explore such areas as the rites and beliefs connected with the Islamic calendar, agriculture, and childbirth. This title will fascinate any student or researcher of anthropology with an interest in the history of ritual, culture and religion in Morocco.

"Koen Stroeken's work is fascinating, thought-provoking, theoretically challenging and ethnographically penetrating. It is anthropology, yes, and very true anthropology for that matter, but it is also a deep and unsettling experience finding its voice." . Per Brandstrom, Uppsala University

"The book is thoroughly engaging and a timely contribution to the literature on witchcraft. It may be found too provocative and controversial for some, but I appreciated the analysis as a useful interrogation of the 'certainties' of much anthropological theory and practice in the study of magic and witchcraft." . Joanne Thobeka Wreford, University of Capetown

Neither power nor morality but both. Moral power is what the Sukuma from Tanzania in times of crisis attribute to an unknown figure they call their witch. A universal process is involved, as much bodily as social, which obstructs the patient's recovery. Healers turn the table on the witch through rituals showing that the community and the ancestral spirits side with the victim. In contrast to biomedicine, their magic and divination introduce moral values that assess the state of the system and that remove the obstacles to what is taken as key: self-healing. The implied 'sensory shifts' and therapeutic effectiveness have largely eluded the literature on witchcraft. This book shows how to comprehend culture other than through the prism of identity and politics.

Koen Stroeken is a Lecturer in medical anthropology at Ghent University. He was initiated as a Chwezi healer in Tanzania before writing about cosmology and medicine."

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging - to great controversy - as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.