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                        Money and Magic in Early Modern Drama (Hardcover)
                    
                        
                            
                            
                            
                            
                                
                                
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                Money and Magic in Early Modern Drama (Hardcover)
            
            
                
            
            
                Series: Arden Studies in Early Modern Drama
            
            
            
            
            
                
                
                 
             
            
            
                
                    
                        
                        
                    
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                    Money, magic and the theatre were powerful forces in early modern
England. Money was acquiring an independent, efficacious agency, as
the growth of usury allowed financial signs to reproduce without
human intervention. Magic was coming to seem Satanic, as the
manipulation of magical signs to performative purposes was
criminalized in the great 'witch craze.' And the commercial, public
theatre was emerging - to great controversy - as the perfect medium
to display, analyse and evaluate the newly autonomous power of
representation in its financial, magical and aesthetic forms. Money
and Magic in Early Modern Drama is especially timely in the current
era of financial deregulation and derivatives, which are just as
mysterious and occult in their operations as the germinal finance
of 16th-century London. Chapters examine the convergence of money
and magic in a wide range of early modern drama, from the anonymous
Mankind through Christopher Marlowe to Ben Jonson, concentrating on
such plays as The Alchemist, The New Inn and The Staple of News.
Several focus on Shakespeare, whose analysis of the relations
between finance, witchcraft and theatricality is particularly acute
in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and
The Winter's Tale.
                 
                    
                
                
                    
                    
                        
                            
                            
                            
                        
	
	
		
	
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