Faunalia is a controversial Pagan festival with a reputation for being wild and emotionally intense. It lasts five days, 80 people attend, and the two main rituals run most of the night. In the tantalisingly erotic Baphomet rite, participants encounter a hermaphroditic deity, enter a state of trance and dance naked around a bonfire. In the Underworld rite participants role play their own death, confronting grief and suffering. These rituals are understood as "shadow work" - a Jungian term that refers to practices that creatively engage repressed or hidden aspects of the self. Sex, Death and Witchcraft is a powerful application of relational theory to the study of religion and contemporary culture. It analyses Faunalia's rituals in terms of recent innovations in the sociology of religion and religious studies that focus on relational etiquette, lived religion, embodiment and performance. The sensuous and emotionally intense ritual performances at Faunalia transform both moral orientations and self-understandings. Participants develop an ethical practice that is individualistic, but also relational, and aesthetically mediated. Extensive extracts from interviews describe the rituals in participants' own words. The book combines rich and evocative description of the rituals with careful analysis of the social processes that shape people's experiences at this controversial Pagan festival.

The popular Wiccapedia gets the ultimate companion journal!   A Book of Shadows is a journal that witches keep close at hand for jotting down their spells—and this beautiful keepsake edition, by the authors of Wiccapedia, is the perfect accompaniment to that popular guide for modern witches. A concise first section features basic information on essential tools for spells, key herbs and crystals, moon phases and magick, and a wheel of yearly Wiccan holidays. Over 225 pages of journal pages follow, where you can record all the details of your spellcraft such as the date, the phase of the moon, the ingredients . . . and the results.  

This book offers a comparison of lay and inquisitorial witchcraft prosecutions. In most of the early modern period, witchcraft jurisdiction in Italy rested with the Roman Inquisition, whereas in Denmark only the secular courts raised trials. Kallestrup explores the narratives of witchcraft as they were laid forward by people involved in the trials.

Tis title provides impressive dossier on the phenomenon of Saturnism, offering a new interpretation of aspects of Judaism, including the emergence of Sabbateanism. This book explores the phenomenon of Saturnism, namely the belief that the planet Saturn, as described by ancient astrology, influenced Jews, reverberating into Jewish life. Taking into consideration the astrological aspects of Judaism, Moshe Idel demonstrates that they were instrumental in the conviction that Sabbatei Tzevei, the mid-17th-century messianic figure in Rabbinic Judaism, was indeed the Messiah. Offering a new approach to the study of this mass-movement known as Sabbateanism, Idel also explores the possible impact of astrology on the understanding of Sabbath as related to sorcery and thus to the concept of the encounter of witches in the late 14th and early 15th century. This book further analyzes aspects of 20th-century scholarship and thought influenced by Saturnism, particularly lingering themes in the works of Gershom Scholem and seminal figure Walter Benjamin. "The Robert and Arlene Kogod Library of Judaic Studies" publishes new research which provides new directions for modern Jewish thought and life and which serves to enhance the quality of dialogue between classical sources and the modern world. This book series reflects the mission of the Shalom Hartman Institute, a pluralistic research and leadership institute, at the forefront of Jewish thought and education. It empowers scholars, rabbis, educators and layleaders to develop new and diverse voices within the tradition, laying foundations for the future of Jewish life in Israel and around the world.

Belief in magic and particularly the power of witchcraft was once a deep and enduring presence in popular culture. "Diving into Brian Hoggard's Magical House Protection is a remarkable experience... [It] provides an immersive and fascinating read."-Fortean Times People created and concealed many objects to protect themselves from harmful magic. Detailed are the principal forms of magical house protection in Britain and beyond from the fourteenth century to the present day. Witch-bottles, dried cats, horse skulls, written charms, protection marks and concealed shoes were all used widely as methods of repelling, diverting or trapping negative energies. Many of these practices and symbols can be found around the globe, demonstrating the universal nature of efforts by people to protect themselves from witchcraft. From the introduction: The most popular locations to conceal objects within buildings are usually at portals such as the hearth, the threshold and also voids or dead spaces. This suggests that people believed it was possible for dark forces to travel through the landscape and attack them in their homes. Whether these forces were emanations from a witch in the form of a spell, a witch's familiar pestering their property, an actual witch flying in spirit or a combination of all of those is difficult to tell. Additional sources of danger could be ghosts, fairies and demons. People went to great lengths to ensure their homes and property were protected, highlighting the fact that these beliefs and fears were visceral and, as far as they were concerned, literally terrifying.

"This book illuminates the origins of the great European witch hunts by placing early witch trials in the comparative light of other criminal proceedings in Basel, Lucerne and Nuremberg. The study reveals that the increasingly harsh treatment was paralleled by mounting judicial severity in general, as well as by a keen interest in social control"--

'A wonderful book by a fabulous author, very highly recommended.' Louise DouglasA tale as old as time. A spirit that has never rested.Present day As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. But it isn't long before Selena hears the past whispering to her. Sloe Cottage is keeping secrets which refuse to stay hidden. 1682 Grace Cotter longs for nothing more than a husband and family of her own. Content enough with her work on the farm, looking after her father, and learning the secrets of her grandmother Bett's healing hands, nevertheless Grace still hopes for love. But these are dangerous times for dreamers, and rumours and gossip can be deadly. One mis-move and Grace's fate looks set... Separated by three hundred years, two women are drawn together by a home bathed in blood and magic. Grace Cotter's spirit needs to rest, and only Selena can help her now. USA Today bestselling author Judy Leigh writing as Elena Collins, brings you this unforgettable, heart-breaking, gripping timeslip novel set in a world when women were hung as witches, and fates could be sealed by a wrong word. Perfect for fans of Barbara Erskine, Diana Gabaldon and Louise Douglas. Praise for Elena Collins: 'A profoundly moving, beautifully written and emotional story that skilfully combines two time frames into one unputdownable book. I was completely immersed in Grace's story from the beginning: despite it taking place 400 years ago. The modern day storyline was also delightful with some wonderful characters. In short a wonderful book by a fabulous author, very highly recommended.' Louise Douglas

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

This is an original and important study of the significance of witchcraft in English public life in the seventeenth and eighteenth centuries. In this lively account, Ian Bostridge explores contemporary beliefs about witchcraft and shows how it remained a serious concern across the spectrum of political opinion. He concludes that its gradual descent into polite ridicule had as much to do with political developments as with the birth of reason.

The Book of Black Magic is Arthur Edward Waite's magnum opus of occult lore; this edition contains the author's original icons, symbols, seals and drawings. This supreme guide to occultist history, lore, magick, and ceremony is split into two parts: The first is entitled ""The Literature of Ceremonial Magic."" Here, Waite examines the ritualistic traditions which surrounding the occult movement for centuries. He notes various texts, and how these had a bearing upon the practice of the occult and of magical ceremony. The second part, ""The Complete Grimoire,"" concerns how those who practice black magic and occult ritual become versed in the craft. The stringent physical and mental requirements, and the need to practice a spiritual attunement and inner ablution, is detailed. Astronomical knowledge of the planets and their movements is a necessity, as is possession of a variety of instruments, plus a deep knowledge of the various symbols and scripts used in occultism.

Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.

Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.