The fundamental subject of A. D. Nuttall's bold and daring first
book, " Two Concepts of Allegory," is a particular habit of
thought--the practice of thinking about universals as though they
were concrete things. His study takes the form of an inquiry into
certain conceptual questions raised, in the first place, by the
allegorical critics of "The Tempest," and, in the second place, by
allegorical and quasi-allegorical poetry in general. The argument
has the further consequence of suggesting that allegory and
metaphysics are in practice more closely allied than is commonly
supposed. This paperback reissue includes a new preface by the
author.
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