This book marries a theoretical analysis of the issues underlying
the role of the dramaturg with a thorough sense of the material
conditions of theatrical production, from script editing and
rehearsal room interactions to the preparation of programme notes
and audience lectures. Central to the project is a notion of
authority defined not by text or author, but by the theatre itself.
The result is a guide for the prospective dramaturg which also
provides for the more general reader a unique case study of the
nexus between the methods and assumptions of literary criticism and
those of practical theatre.
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