This study considers George Eliot's novels in relation to Dante and
to nineteenth-century Italian culture during the Italian national
revival and shows how these helped shape her fiction. Thompson
argues that Eliot was able to draw selectively on a powerful
Risorgimento mythology of national regeneration and that her
engagement with the work of Dante Alighieri increases steadily in
her later novels, where the Divine Comedy becomes a sustaining
metaphor for Eliot's meliorist vision and for her theme of moral
growth through suffering.
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