The preponderance of early Black composers wrote choral music
and even the most outstanding among them did not compose works for
woodwinds. However, the later half of the twentieth century has
witnessed a rise in compositions for woodwinds, both for solo and
chamber ensembles by relatively unknown Black composers. This
pioneering volume will become the standard source of information on
nineteenth and twentieth century Black composers from three
continents as well as their woodwind compositions. It contains the
most current and complete biographical data on 90 African
composers, Afro-American composers, Afro-Latin composers, and
Afro-European composers, including their education and professional
experience and information on their continuing musical influence. A
distinctive feature is the separate, easy-to-use woodwind music
index of both published and unpublished works for solo and chamber
ensembles that groups the music by medium and numbers into 27
categories that contain some 430 works. Exact instrumentation,
dedication or commission, premiere performance, and publisher are
also found here. A list of abbreviations, key to publishers,
collections, and manuscripts, and a discography of 38 recordings of
woodwind works by 26 of the included composers complete the
volume.
This first bibliography of woodwind music by Black composers is
an excellent reference work for Black composers, for the woodwind
repertoire, and for American music in general. It will be highly
useful in college-level courses such as "Survey of Afro-American
Music and Woodwind Literature" as well as to woodwind players,
ensemble directors, and scholars.
General
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