This book examines the career and creative labour of production
designer Polly Platt. It focuses mainly on her contributions to
1970s Hollywood, but also considers her later work. Considering
films such as The Last Picture Show, Paper Moon, The Bad News
Bears, and The Witches of Eastwick, it argues that Platt's
construction of their visual palette and mise-en-scene was so
creative and so comprehensive that it can be considered authorial.
Chapters discuss Platt's life and its influence on her work, her
attention to detail, her role in location decisions and costume
design, and her use of colour. An epilogue discusses her later
career as a producer and her mentorship to young filmmakers like
Cameron Crowe and Wes Anderson. This is the first full-length
examination of the career of one of the women practitioners whose
work was so important to 1970s cinema, and provides an alternative
methodology to the auteur-driven framing that so regularly defines
the era.
General
Imprint: |
Springer Nature Switzerland AG
|
Country of origin: |
Switzerland |
Release date: |
2023 |
First published: |
2021 |
Authors: |
Aaron Hunter
|
Dimensions: |
210 x 148mm (L x W) |
Format: |
Paperback
|
Pages: |
226 |
Edition: |
1st ed. 2021 |
ISBN-13: |
978-3-03-082122-7 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
3-03-082122-6 |
Barcode: |
9783030821227 |
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