This comprehensive collection provides theoretical accounts of the
grounds and phenomenon of film acting. The volume features entries
by some of the most prominent scholars on film acting who
collectively represent the various theoretical traditions that
constitute the discipline of film studies. Each section proposes
novel ways of considering the recurring motifs in academic
enquiries into film acting, including: (1) the mutually contingent
problematic of description and interpretation, (2) the intricacies
of bodily dynamics and their reception by audiences, (3) the
significance of star performance, and (4) the impact of evolving
technologies and film styles on acting traditions.
General
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