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Sonic Mobilities - Producing Worlds in Southern China (Hardcover)
Loot Price: R2,375
Discovery Miles 23 750
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Sonic Mobilities - Producing Worlds in Southern China (Hardcover)
Series: Chicago Studies in Ethnomusicology
Expected to ship within 12 - 17 working days
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Total price: R2,385
Discovery Miles: 23 850
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A fascinating look at how the popular musical culture of Guangzhou
expresses the city's unique cosmopolitanism. Guangzhou is a large
Chinese city like many others. With a booming economy and abundant
job opportunities, it has become a magnet for rural citizens
seeking better job prospects as well as global corporations hoping
to gain a foothold in one of the world's largest economies. This
openness and energy have led to a thriving popular music scene that
is every bit the equal of Beijing's. But the musical culture of
Guangzhou expresses the city's unique cosmopolitanism. A port city
that once played a key role in China's maritime Silk Road,
Guangzhou has long been an international hub. Now, new migrants to
the city are incorporating diverse Chinese folk traditions into the
musical tapestry. In Sonic Mobilities, ethnomusicologist Adam
Kielman takes a deep dive into Guangzhou's music scene through two
bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that
express ties to their rural homelands and small-town roots while
forging new cosmopolitan musical connections. These bands make
music that captures the intersection of the global and local that
has come to define Guangzhou, for example by writing songs with a
popular Jamaican reggae beat and lyrics in their distinct regional
dialects mostly incomprehensible to their audiences. These bands
create a sound both instantly recognizable and totally foreign,
international and hyper-local. This juxtaposition, Kielman argues,
is an apt expression of the demographic, geographic, and political
shifts underway in Guangzhou and across the country. Bridging
ethnomusicology, popular music studies, cultural geography, and
media studies, Kielman examines the cultural dimensions of shifts
in conceptualizations of self, space, publics, and state in a
rapidly transforming the People's Republic of China.
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