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The James Bond Songs - Pop Anthems of Late Capitalism (Hardcover)
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The James Bond Songs - Pop Anthems of Late Capitalism (Hardcover)
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Starting with 1964's Goldfinger, every James Bond film has followed
the same ritual, and so has its audience: after an exciting action
sequence the screen goes black and the viewer spends three long
minutes absorbing abstract opening credits and a song that sounds
like it wants to return to 1964. In The James Bond SongsR authors
Adrian Daub and Charles Kronengold use the genre to trace not only
a changing cultural landscape, but also evolving conceptions of
what a pop song is. They argue that the story of the Bond song is
the story of the pop song more generally, and perhaps even the
story of its end. Each chapter discusses a particular segment of
the Bond canon and contextualizes it in its eras music and culture.
But the book also asks how Bond and his music reflected and
influenced our feelings about such topics as masculinity, race,
money, and aging. Through these individual pieces the book presents
the Bond song as the perfect anthem of late capitalism. The Bond
songs want to talk about the fulfillment that comes from fast cars,
shaken Martinis and mindless sex, but their unstable speakers,
subjects, and addressees actually undercut the logic of the
lifestyle James Bond is sworn to defend. The book is an invitation
to think critically about pop music, about genre, and about the
political aspects of popular culture in the twentieth century and
beyond.
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