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Must Close Saturday - The Decline and Fall of the British Musical Flop (Hardcover)
Loot Price: R941
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Must Close Saturday - The Decline and Fall of the British Musical Flop (Hardcover)
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The first book to deal exclusively with British musical flops, Must
Close Saturday presents a rolling panorama of the good, the bad and
the ugly, reassessing their place in theatrical history. The
ominous announcement "Must Close Saturday" too often heralded the
demise of British musicals. Looking forward from the vantage point
of Lionel Bart's spectacularly successful Oliver! in 1960, Adrian
Wright's authoritative chronicle of the commercially unsuccessful
British musical of the last half a century uncovers a wealth of
fascinating material. In the wake of the resurgence that briefly
blew through the British musical at the end of the 1950s with
verismo works such as Fings Ain't Wot They Used T'Be and Expresso
Bongo, the British musical was shaken by Bart's adaptation of
Dickens, but was quickly left floundering in the face of constant
critical complaint and financial failure. The first book to deal
exclusively with British musical flops, Must Close Saturday
presents a rolling panorama of the good, the bad and the ugly,
reassessing their place in theatrical history.Wright reveals a
consistent striving at invention, with subjects including the
electric chair, the Holocaust, the Virgin Mary, social inequality
and Trade Unionism, sexual problems and murder, as well as
biographical treatments of Hollywood stars, French painters, tragic
novelists, royalty, and the Rector of Stiffkey. Discursive and
provoking, Must Close Saturday at last prises open the neglected
history of the British musical flop up to 2016. ADRIAN WRIGHT is
the author of Foreign Country: The Life of L. P. Hartley (1996),
John Lehmann: A Pagan Adventure (1998), The Innumerable Dance: The
Life and Work of William Alwyn (Boydell & Brewer, 2008), the
novel Maroon (2010) and The Voice of Doom (2016). His previous
books on British musical theatre are A Tanner's Worth of Tune:
Rediscovering the Post-War British Musical (Boydell & Brewer,
2010) and West End Broadway: The Golden Age of the American Musical
in London (Boydell & Brewer, 2012). He lives in Norfolk.
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