This book has been written for oud students who have completed the
Oud Beginner Book. The principal maqamaat will be further analyzed
with a higher level of risha and fingering technique such as the
addition of a second octave and playing in the second position. New
traditional instrumental oud pieces and songs have been added to
the repertoire. The book begins with Maqam Rast, Bayat, Saba and
Segah to emphasise the importance of quarter-tones.
General
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