Both the force and the limitations of the globalizing forces
operating in the world today can best be understood through an
analysis of their concrete manifestations. Using examples from the
people's art of Potsdammer Platz to the ways in which Western
cultural icons are reinterpreted in Asian magazines, these essays
assess the rhetoric of globalization in political analysis,
cultural theory, and urban and economic sociology, and exposes the
myth of the global society as, in many cases, a dangerous
exaggeration.
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