Film has always played a crucial role in the imagination of
disaster. The earthquake, especially, transforms our understanding
of the limits and possibilities of cinema, as well as of life
itself. After major quakes in countries as dissimilar as Japan,
Chile, Iran and New Zealand, filmmakers have responded with films
that challenge ingrained social, political, ethical and
philosophical categories of thinking and being in the world. Film
on the Faultline explores the fractious relationship between cinema
and seismic experience and addresses the important role that cinema
can play in the wake of such events.
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