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Liminal Images - Aspects of Medieval Architectural Sculpture in the South of England from the Eleventh to the Sixteenth Centuries (Paperback)
Loot Price: R2,102
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Liminal Images - Aspects of Medieval Architectural Sculpture in the South of England from the Eleventh to the Sixteenth Centuries (Paperback)
Series: British Archaeological Reports British Series
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The presence of unusual, grotesque and rude carvings on
ecclesiastical buildings have been explained in a number of ways,
from reflecting the warped sense of humour of the masons, to a
purely ornamental or marginal function. However, in this study of
medieval sculpture from southern England, Alex Woodcock suggests
that imagery should be seen in the same way as the buildings
themselves, as liminal spaces mediating between the human, mortal
world and the sacred and unknown. In examining various distorted
and foliate heads, grotesques, mythical creatures, beasts and so
on, Woodcock argues that these are wholly appropriate images for
medieval religious life, reflecting the ambiguous and the
unclassifiable in an unknown realm, whilst also having an
apotropaic function. Placing emphasis on liminality, the study
focuses in particular on heads - severed, foliate and otherwise -
and whole figures, humans, animals and hybrids, including detailed
studies of the siren and mermaid.
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