Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Books > Humanities > Archaeology > Archaeology by period / region > European archaeology
One of the most famous treasures to have come out of the ground in Scotland is a hoard of ivory chessmen and other gaming pieces found in the Isle of Lewis. the humorous and intricately designed pieces are now divided between national Museums Scotland and the British Museum. Experts all agree that they are medieval and of Scandinavian origin. They are remarkably fine pieces of craftsmanship and have fascinated all who see them. This account provides an overview of the hoard, the circumstances surrounding its discovery, and the traditions that have grown up around it. The authors also incorporate results from their own recent research which focuses on how, where and when the chessmen were made. Their examination demonstrates how the work of different craftsmen can be recognised, and the answer to the question of who might have owned them is also considered. The result is a celebration of a famous discovery, complete with images of all 93 pieces.
In June, 1973, a group of eleven teachers, students and pupils from Glasgow boarded a new school minibus and began a trip - across Europe, Turkey, Syria and Iraq - to Persepolis, in Iran, the ceremonial capital of the great king Darius of Persia and his son and successor Xerxes. This is the story, based on the diary and photographs of one of the teachers. A fascinating mix of archaeology and culture, the practicalities of travel on a tight budget, bureaucracy, political disruption, and food and drink. Liberally illustrated with maps of the route and photographs of ancient sites, cities and landscapes, and of the minibus and its inhabitants.
In June, 1973, a group of eleven teachers, students and pupils from Glasgow boarded a new school minibus and began a trip - across Europe, Turkey, Syria and Iraq - to Persepolis, in Iran, the ceremonial capital of the great king Darius of Persia and his son and successor Xerxes. This is the story, based on the diary and photographs of one of the teachers. A fascinating mix of archaeology and culture, the practicalities of travel on a tight budget, bureaucracy, political disruption, and food and drink. Liberally illustrated with maps of the route and photographs of ancient sites, cities and landscapes, and of the minibus and its inhabitants.
The Roman Remains of Brittany, Normandy and the Loire Valley is the third in a series of companion guides. The only specialist guidebook to the region, it provides context to many sites that deserve to be better known, some only recently conserved for the public. There are plenty of places to chose from: fifty-four treated at length plus fourteen shorter entries. There is an extended chapter dealing with the historical background and two feature sections. The book is easy to use as there are a large number of maps, plans and colour photographs. To ensure accuracy, the author personally followed aqueduct routes, visited hidden temples, admired ramparts, and visited all the museums. Through his writing a visit is transformed into an experience.
This book uses both succinct, informative essays and beautiful, detailed photography to reveal how recent archeological discoveries in the ancient country of Armenia have transformed our understanding of the origins of human civilization and humanity itself. It also tells the story of a heroic team of Armenian archeologists who have singlehandedly created a new golden age of archeology in their country. Their work demonstrates that Armenia has hosted a continuous human presence for at least 2 million years. They have succeeded in documenting the evolution of humanity and human culture across this vast span of time in minute detail. Their discoveries include the oldest known winemaking complex, the recreation of the first wines, the oldest known work of art, the oldest shoe yet discovered, and one of the oldest known religious documents. This book chronicles their achievements in a manner that lets the reader become part of the process of exploration and feel the excitement of discovery.
THE SUNDAY TIMES BESTSELLER & THE TIMES HISTORY BOOK OF 2021 'Astonishing and compelling' Bernard Cornwell 'This superb book is like a classical symphony, perfectly composed and exquisitely performed' THE TIMES Books of the Year Follow bioarchaeologist Cat Jarman - and the cutting-edge forensic techniques central to her research - as she uncovers epic stories of the Viking age and follows a small 'Carnelian' bead found in a Viking grave in Derbyshire to its origins thousands of miles to the east in Gujarat. 'This superb book is like a classical symphony, perfectly composed and exquisitely performed' THE TIMES Books of the Year Dr Cat Jarman is a bioarchaeologist, specialising in forensic techniques to research the paths of Vikings who came to rest in British soil. By examining teeth that are now over one thousand years old, she can determine childhood diet, and thereby where a person was likely born. With radiocarbon dating, she can ascertain a death date down to the range of a few years. And her research offers new visions of the likely roles of women and children in Viking culture. In 2017, a carnelian bead came into her temporary possession. River Kings sees her trace its path back to eighth-century Baghdad and India, discovering along the way that the Vikings' route was far more varied than we might think, that with them came people from the Middle East, not just Scandinavia, and that the reason for this unexpected integration between the Eastern and Western worlds may well have been a slave trade running through the Silk Road, and all the way to Britain. Told as a riveting story of the Vikings and the methods we use to understand them, this is a major reassessment of the fierce, often-mythologised voyagers of the north, and of the global medieval world as we know it.
Two precious Gold Horns were sacrificed by a group of Angles in South Jutland shortly before they migrated to England. The pictures on the horns offer a substantial explanation of the pre-Christian religion of the Angles. This book describes how many Anglian groups from the continent migrated to England and brought with them their culture and English language. It provides an original analysis of archaeological finds and documentation of the Anglo-Saxon religion. This can be observed in finds from the heathen Anglo-Saxons, - the Sutton Hoo ship burial, Franks Casket, the square-headed brooches, idols, amulets and ceramics. The book also explores Runes - the most remarkable invention of the Angles. The book will be enjoyed by anybody interested in English heritage and especially those with an interest in pre-Christian Anglo-Saxons.
Knossos is one of the most important sites in the ancient Mediterranean. It remained amongst the largest settlements on the island of Crete from the Neolithic until the late Roman times, but aside from its size it held a place of particular significance in the mythological imagination of Greece and Rome as the seat of King Minos, the location of the Labyrinth and the home of the Minotaur. Sir Arthur Evans’ discovery of ‘the Palace of Minos’ has indelibly associated Knossos in the modern mind with the ‘lost’ civilisation of Bronze Age Crete. The allure of this ‘lost civilisation’, together with the considerable achievements of ‘Minoan’ artists and craftspeople, remain a major attraction both to scholars and to others outside the academic world as a bastion of a romantic approach to the past. In this volume, James Whitley provides an up-to-date guide to the site and its function from the Neolithic until the present day. This study includes a re-appraisal Bronze Age palatial society, as well as an exploration of the history of Knossos in the archaeological imagination. In doing so he takes a critical look at the guiding assumptions of Evans and others, reconstructing how and why the received view of this ancient settlement has evolved from the Iron Age up to the modern era.
This book tells the fascinating story of Roman Britain, beginning with the late pre-Roman Iron Age and ending with the province's independence from Roman rule in AD 409. Incorporating for the first time the most recent archaeological discoveries from Hadrian's Wall, London and other sites across the country, and richly illustrated throughout with photographs and maps, this reliable and up-to-date new account is essential reading for students, non-specialists and general readers alike. Writing in a clear, readable and lively style (with a satirical eye to strange features of past times), Rupert Jackson draws on current research and new findings to deepen our understanding of the role played by Britain in the Roman Empire, deftly integrating the ancient texts with new archaeological material. A key theme of the book is that Rome's annexation of Britain was an imprudent venture, motivated more by political prestige than economic gain, such that Britain became a 'trophy province' unable to pay its own way. However, the impact that Rome and its provinces had on this distant island was nevertheless profound: huge infrastructure projects transformed the countryside and means of travel, capital and principal cities emerged, and the Roman way of life was inseparably absorbed into local traditions. Many of those transformations continue to resonate to this day, as we encounter their traces in both physical remains and in civic life.
Private associations organized around a common cult, occupation, ethnic identity, neighborhood or family were among the principal means of organizing social and economic life in the ancient Mediterranean. They offered opportunities for sociability, cultic activities, mutual support and contexts in which to display and recognize virtuous achievement. This volume collects 140 inscriptions and papyri from Ptolemaic and early Roman Egypt, along with translations, notes, commentary, and analytic indices. The dossier of association-related documents substantially enhances our knowledge of the extent, activities, and importance of private associations in the ancient Mediterranean, since papyri, unavailable from most other locations in the Mediterranean, preserve a much wider range of data than epigraphical monuments. The dossier from Egypt includes not only honorific decrees, membership lists, bylaws, dedications, and funerary monuments, but monthly accounts of expenditures and income, correspondence between guild secretaries and local officials, price and tax declarations, records of legal actions concerning associations, loan documents, petitions to local authorities about associations, letters of resignation, and many other papyrological genres. These documents provide a highly variegated picture of the governance structures and practices of associations, membership sizes and profiles, and forms of interaction with the State.
This book explores ancient efforts to explain the scientific, philosophical, and spiritual aspects of water. From the ancient point of view, we investigate many questions including: How does water help shape the world? What is the nature of the ocean? What causes watery weather, including superstorms and snow? How does water affect health, as a vector of disease or of healing? What is the nature of deep-sea-creatures (including sea monsters)? What spiritual forces can protect those who must travel on water? This first complete study of water in the ancient imagination makes a major contribution to classics, geography, hydrology and the history of science alike. Water is an essential resource that affects every aspect of human life, and its metamorphic properties gave license to the ancient imagination to perceive watery phenomena as the product of visible and invisible forces. As such, it was a source of great curiosity for the Greeks and Romans who sought to control the natural world by understanding it, and who, despite technological limitations, asked interesting questions about the origins and characteristics of water and its influences on land, weather, and living creatures, both real and imagined.
The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.
This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary, and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.
This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek 'Dark Ages'), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology. Specifically, Webster utilises Michael Ventris' decipherment of Linear B in 1952 - which proved that Greek was spoken in the Mycenaean world - to determine the general contours of aesthetic development from Mycenae to the time of the written composition of the Homeric epics. Because they record Mycenaean civilisation in Mycenaean terminology, while Homer was writing in Ionian Greek at the beginning of the polis civilisation, they show how much in Homer is in fact Mycenaean. Further, where it is clear that these Mycenaean elements cannot have survived until Homer's time, they tell us something about the poetry which connected the two.
Many aspects of medieval monarchy can only be recovered through archaeology. This archaeological survey of kingship in the period from the reign of William the Conqueror to that of Henry VIII brings together the physical evidence for the Kings and their courts in the form of a great variety of objects and buildings. John Steane looks at the changing perceptions of the cult of medieval kingship through symbols of power and regalia including crowns, seals and thrones, such as the Coronation Chair of Edward I. The result is a synthesis of current knowledge of the physical remains of medieval kingship that has not previously been attempted. Restoring many details of the lives and deaths of the great and powerful monarchs of the Middle Ages, this book reveals past public splendors as well as more private insights.
In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.
The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. From formal concerns such as Kopienkritic (copy criticism) to social readings of plebeian and patrician art and beyond, scholars have returned to Roman sculpture to answer a variety of questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological ARCH15OXH of representative examples of various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of art history, classical archaeology, and Roman studies. This volume fills the gap between introductory textbooks-which hide the critical apparatus from the reader-and the highly focused professional literature. The handbook conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume and complements textbooks and other publications that present well-known works in the corpus. Chronologically, the volume addresses material from the Early Republican period through Late Antiquity. The Oxford Handbook of Roman Sculpture not only contributes to the field of classical art and archaeology but also provides a useful reference for classicists and historians of the ancient world.
The Villa of the Papyri is a unique archaeological site and has been very influential in the field of classical studies. The papyri (the only intact library to survive from Greco-Roman antiquity) and bronze sculptures found in the villa have contributed to our knowledge of the ancient world and the villa has become for us the "ideal model" of Roman luxury villa culture. This volume brings together papers delivered by experts in various fields addressing the cultural significance of this ancient site in its contemporary Roman context as well as its cultural reception from its discovery over two hundred and fifty years ago to the most recent excavations in the late twentieth century. They also explore the ways in which digital archaeology can assist our efforts to understand and investigate ancient sites. Topics treated include the Villa's architecture, decoration, and content (i.e., wall-paintings, sculptures, and papyri); their reception since the 18th century; and the current state of knowledge based on the recent partial excavations in the Villa, presented here in English for the first time. Furthermore, the use of digital models of the Villa that incorporate the data from the new excavations and a discussion on the ways in which such models may be used for educational and research purposes are also presented.
While European scholarship in the Classics has a long and established tradition, very little has been written on the history of classical scholarship in North America. By providing profiles of some 600 North American Classicists, this reference book presents a starting point for defining the history of Classical scholarship in Canada and the United States. Included are those Classicists who made significant contributions to the field and those who are representative figures. The people profiled were either born in the United States or Canada, or were born in other countries but had careers in North America. They were either founding fathers of the profession, scholars known more for their specialized contributions, or members of smaller or remote institutions who achieved at least regional distinction for their work. The first part of each entry provides basic biographical and professional information. A narrative summary of the person's career follows, and each profile closes with a short bibliography. The entries are arranged in alphabetical order and were written by expert contributors.
This book, a guide and companion to the prehistoric archaeology of
Greece, is designed for students, travelers, and all general
readers interested in archaeology. Greece has perhaps the longest
and richest archaeological record in Europe, and this book reviews
what is known of Greece from the earliest inhabitants in the Stone
Age to the end of the Bronze Age and the collapse of the Minoan and
Mycenaean civilizations.
This book delineates the contours of molecular and structural archaeology as an emergent interdisciplinary field based on structural analysis at the molecular level and examines novel methodologies to reconstruct the synthesis and long-term transformation of materials used in antiquity. The focus of this volume is on cosmetic and therapeutic materials.
Stone statues, indigenous to the early Turks, appeared in the vast territory of the Asian steppes, from Southern Siberia to Central Asia and across the foothills of the Ural Mountains. The custom originated among Cumans in Eastern Europe. The skill of erecting anthropomorphic stelae required proficiency in processing different kinds of stone and wood, and was characterized by artistic value of representations, as well as by the timeless aesthetics of the canon. The author presents the results of her formative studies into the collection of the Cuman sculptures of the Veliko-Anadol Forest Museum, Ukraine. The book delves into the history of research on Cuman stone stelae, resulting in great reading for all archeologists and historians alike.
The societies of ancient Europe underwent a continual process of militarisation, and this would come to be a defining characteristic of the early Middle Ages. The process was neither linear nor mono-causal, but it affected society as a whole, encompassing features like the lack of demarcation between the military and civil spheres of the population, the significance attributed to weapons beyond their military function and the wide recognition of martial values. Early medieval militarisation assembles twenty studies that use both written and archaeological evidence to explore the phenomenon of militarisation and its impact on the development of the societies of early medieval Europe. The interdisciplinary investigations break new ground and will be essential reading for scholars and students of related fields, as well as non-specialists with an interest in early medieval history. -- . |
You may like...
Travels of Learning - A Geography of…
Ana Simoes, A. Carneiro, …
Hardcover
R4,340
Discovery Miles 43 400
|