This volume explores the nature of religious change in the Greek-speaking cities of the Roman Empire. Emphasis is put on those developments that apparently were not the direct result of Roman actions: the intensification of idiosyncratically Greek features in the religious life of the cities (Heller, Muniz, Camia); the active role of a new kind of Hellenism in the design of imperial religious policies (Gordillo, Galimberti, Rosillo-Lopez); or the locally different responses to central religious initiatives, and the influence of those local responses in other imperial contexts (Cortes, Melfi, Lozano, Rizakis). All the chapters try to suggest that religion in the Greek cities of the empire was both conservative and innovative, and that the 'Roman factor' helps to explain this apparent paradox.

The Romans occupied Britain for almost four hundred years, and their influence is still all around us - in the shape of individual monuments such as Hadrians Wall, the palace at Fishbourne and the spa complex at Bath, as well as in subtler things such as the layout and locations of ancient towns such as London, Canterbury and Colchester, and the routes of many major roads. Yet this evidence can only suggest a small proportion of the effect that the Romans had on the landscape of Britain.
A Portrait of Roman Britain breaks new ground in enabling us to visualise the changes in town and countryside brought by Roman military and civilian needs. Using clear, well-documented descriptions, John Wacher answers questions such as:
* were Roman towns as neat and tidy as they are often represented?
* how much woodland was needed to fuel the bath houses of Roman Britain?
* how much land did a Roman cavalry regiment require for its horses?^

This volume initiates a new series of books on maritime or underwater archaeology, and as the editor of the series I welcome its appearance with great excitement. It is appropriate that the first book of the series is a collection of articles intended for gradu ate or undergraduate courses in underwater archaeology, since the growth in academic opportunities for students is an important sign of the vitality of this subdiscipline. The layman will enjoy the book as well. Academic and public interest in shipwrecks and other submerged archaeological sites is indicated by a number of factors. Every year there are 80 to 90 research papers presented at the Society for Historical Archaeology's Conference on Historical and Underwater Archaeology, and the Proceedings are published. Public interest is shown by extensive press coverage of shipwreck investigations. One of the most important advances in recent years has been the passage of the Abandoned Shipwreck Act of 1987, for the first time providing national-level law con cerning underwater archeological sites. The legislation has withstood a number of legal challenges by commercial treasure salvors, a very hopeful sign for the long-term pres ervation of this nonrenewable type of cultural resource. The underwater archaeological discoveries of 1995 were particularly noteworthy. The Texas Historical Commission discovered the Belle, one of La Salle's ships, and the CSS Hunley was found by a joint project of South Carolina and a private nonprofit organization called NUMA."

Many aspects of medieval monarchy can only be recovered through archaeology. This archaeological survey of kingship in the period from the reign of William the Conqueror to that of Henry VIII brings together the physical evidence for the Kings and their courts in the form of a great variety of objects and buildings. John Steane looks at the changing perceptions of the cult of medieval kingship through symbols of power and regalia including crowns, seals and thrones, such as the Coronation Chair of Edward I. The result is a synthesis of current knowledge of the physical remains of medieval kingship that has not previously been attempted. Restoring many details of the lives and deaths of the great and powerful monarchs of the Middle Ages, this book reveals past public splendors as well as more private insights.

Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.

The great cathedrals and churches of the medieval West continue to awe. How were they built, and why do they remain standing? What did their builders know about what they were doing? These questions have given rise to considerable controversy, which is fully reflected in the papers selected here. The first section of the book is concerned with the medieval builders and their design methods; the second focuses on engineering issues in the context of the infamous collapse of the choir at Beauvais in 1284. The following papers extend the analysis into the 15th century, looking for example at Brunelleschi's dome for Florence Cathedral, and deal with the often neglected structures of roofs, towers and spires.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr.

The study of Roman towns and cities has long been dominated by the "consumer city" model set out by Moses Finley in the 1970s, which characterizes ancient cities as sites of consumption, not production. Archaeologists and ancient historians are becoming increasingly dissatisfied with the limitations of this model, and with its narrowly economic perspective. This work raises questions about how Roman cities are perceived by experts in the 1990s. The contributors use a variety of new approaches and methodologies. They consider the various social implications of Roman urbanism and the organization of urban space. By diverting attention away from "the consumer city", this collection re-contextualizes the Roman town where it belongs: in the realms of social and political relationships.

This work provides a survey of the jewellery of Roman Britain. Fully illustrated and accessible to both the specialist and amateur enthusiast, it surveys the full range of personal ornament worn in Britain during the Roman period, the 1st to 4th centuries AD. It emphasizes the presence of two distinct cultural and artistic traditions, the classical element introduced by the Romans and the indigeneous Celtic background. The interaction of these traditions affected all aspects of Romano-British life and is illustrated in the jewellery. The meaning and significance of personal ornament in a wide range of cultures is discussed, including such matters as symbolism and the display of wealth and status. The principal types of Romano-British jewellery are classified in detail, drawing attention to those which can be relatively closely dated. The coverage is not restricted to precious-metal objects, but includes jewellery made of base metals and materials such as bone, jet and glass. The final chapter is devoted to the techniques of manufacture, a subject which has become better understood in recent years as a result of scientific advances. The book should appeal to anyone who practices, te

"Greek Sanctuaries: New Approaches" examines some of the major and less well known Greek sanctuaries from a new light. The traditional approach to Greek sanctuaries and especially temples has been descriptive. Much emphasis is commonly placed on architectural features but only rarely is there an attempt to look at the totality of functions that a Greek sanctuary might encompass. This collection of articles addresses the critical questions which related to the diverse purposes of the sanctuaries: what was their social function? Who were their clients? Regional links and variations are stressed, while some sanctuaries are shown to have had particular uses such as dining and initiation. Among the cults discussed are the Eleusinian mysteries for which a new reconstruction is proposed.

This book brings together sources translated from a wide variety of ancient languages to showcase the rich history of pre-Roman Italy, including its cultures, politics, trade, languages, writing systems, religious rituals, magical practices, and conflicts. This book allows readers to access diverse sources relating to the history and cultures of pre-Roman Italy. It gathers and translates sources from both Greek and Latin literature and ancient inscriptions in multiple languages and gives commentary to highlight areas of particular interest. The thematic organisation of this sourcebook helps readers to make connections across languages and communities, and showcases the interconnectedness of ancient Italy. This book includes maps, a timeline, and guides to further reading, making it accessible to students and other readers who are new to this subject. Italy Before Rome is aimed at undergraduate and graduate students, including those who have not studied the ancient world before. It is also intended to be useful to researchers approaching this material for the first time, and to university and schoolteachers looking for an overview of early Italian sources.

The Romans commemorated many different events with inscriptions, and not just carved in stone: they are found also on such materials as bronze, wood, mosaic, glass and pottery. They range from the official and highly formulaic to the ordinary and personal. Lawrence Keppie introduces the non-specialist to the subject of inscriptions and provides clear guidance towards translating the Latin texts. Reading the text is only part of interpretation, however, and this book also gives an account of the other aspects needed for a full understanding of inscriptions. The author covers such subjects as local government; the armies and frontiers; religion; the titles of emperors; business and commerce; as well as the craft of stonecutting, developments in the alphabet and the discovery and publication of material.

Nearly every aspect of daily life in the Mediterranean world and Europe during the florescence of the Greek and Roman cultures is relevant to the topics of engineering and technology. This volume highlights both the accomplishments of the ancient societies and the remaining research problems, and stimulates further progress in the history of ancient technology. The subject matter of the book is the technological framework of the Greek and Roman cultures from ca. 800 B.C. through ca. A.D. 500 in the circum-Mediterranean world and Northern Europe. Each chapter discusses a technology or family of technologies from an analytical rather than descriptive point of view, providing a critical summation of our present knowledge of the Greek and Roman accomplishments in the technology concerned and the evolution of their technical capabilities over the chronological period. Each presentation reviews the issues and recent contributions, and defines the capacities and accomplishments of the technology in the context of the society that used it, the available "technological shelf," and the resources consumed. These studies introduce and synthesize the results of excavation or specialized studies. The chapters are organized in sections progressing from sources (written and representational) to primary (e.g., mining, metallurgy, agriculture) and secondary (e.g., woodworking, glass production, food preparation, textile production and leather-working) production, to technologies of social organization and interaction (e.g., roads, bridges, ships, harbors, warfare and fortification), and finally to studies of general social issues (e.g., writing, timekeeping, measurement, scientific instruments, attitudestoward technology and innovation) and the relevance of ethnographic methods to the study of classical technology. The unrivalled breadth and depth of this volume make it the definitive reference work for students and academics across the spectrum of classical studies.

This volume catalogues more than 400 lamps and lamp fragments dating from the Late Archaic to the Byzantine periods found over several decades at the Isthmian Sanctuary of Poseidon. These come from excavations undertaken by UCLA from 1967 to 1987 under the direction of Paul Clement and since then by OSU under the direction of Timothy Gregory. As well as the detailed descriptions of the lamps in the catalogue, the volume presents a commentary on the types of lamps used at the Sanctuary that enriches our knowledge of their manufacture, use, and artistic evolution over time. The lamps also contribute to a better understanding of the site, as they reflect the various historical, political, and religious vicissitudes at Isthmia and the Corinthia in general over the centuries. The author is one of the leading authorities in the world on lamps from ancient Greece, and her work advances our knowledge of the subject in Isthmia, the Corinthia, and beyond.

The widespread construction of castles in Britain began as soon as Duke William of Normandy set foot on the shores of southern England in 1066. The castles that were constructed in the ensuing centuries, and whose ruins still scatter the British countryside today, provide us with an enduring record of the needs and ambitions of the times. But the essence of the medieval castle—a structure that is equal parts military, residential, and symbolic—reveals itself not only through the grandeur of such architectural masterpieces as the Tower of London, and the imposing nature of such royal residences as Windsor, but also in the aging masonry carvings, enduring battlements, and more modest earthen ramparts that have survived alongside them. Through a feature-by-feature account of the architectural elements and techniques used in constructing the medieval castle, author Lise Hull allows the multiple functions of these multifarious forms to shine through, and in so doing, lends a new vitality to the thousand faces that the medieval world assumed to discourage its enemies, inspire its friends, and control its subjects. This compelling investigation takes a unique look at each of the medieval castle's main roles: as an offensive presentation and defensive fortification, as a residential and administrative building, and as a symbolic structure demonstrating the status of its owner. Each chapter focuses on one specific role and uses concrete architectural features to demonstrate that aspect of the medieval castle in Britain. A wealth of illustrations is also provided, as is a glossary explaining the distinct parts of the castle and their functions. This book should be of interest to students researching architecture, the Middle Ages, or military history, as well as general readers interested in castles or considering a trip to Britain to observe some of these magnificent sites themselves.

Winner of ASOR's 2022 G. Ernest Wright Award for the most substantial volume dealing with archaeological material, excavation reports and material culture from the ancient Near East and Eastern Mediterranean. This is a complete history of Antioch, one of the most significant major cities of the eastern Mediterranean and a crossroads for the Silk Road, from its foundation by the Seleucids, through Roman rule, the rise of Christianity, Islamic and Byzantine conquests, to the Crusades and beyond. Antioch has typically been treated as a city whose classical glory faded permanently amid a series of natural disasters and foreign invasions in the sixth and seventh centuries CE. Such studies have obstructed the view of Antioch's fascinating urban transformations from classical to medieval to modern city and the processes behind these transformations. Through its comprehensive blend of textual sources and new archaeological data reanalyzed from Princeton's 1930s excavations and recent discoveries, this book offers unprecedented insights into the complete history of Antioch, recreating the lives of the people who lived in it and focusing on the factors that affected them during the evolution of its remarkable cityscape. While Antioch's built environment is central, the book also utilizes landscape archaeological work to consider the city in relation to its hinterland, and numismatic evidence to explore its economics. The outmoded portrait of Antioch as a sadly perished classical city par excellence gives way to one in which it shines as brightly in its medieval Islamic, Byzantine, and Crusader incarnations. Antioch: A History offers a new portal to researching this long-lasting city and is also suitable for a wide variety of teaching needs, both undergraduate and graduate, in the fields of classics, history, urban studies, archaeology, Silk Road studies, and Near Eastern/Middle Eastern studies. Just as importantly, its clarity makes it attractive for, and accessible to, a general readership outside the framework of formal instruction.

In the sixth century, Byzantine emperors secured the provinces of the Balkans by engineering a frontier system of unprecedented complexity. Drawing on literary, archaeological, anthropological, and numismatic sources, Andrei Gandila argues that cultural attraction was a crucial component of the political frontier of exclusion in the northern Balkans. If left unattended, the entire edifice could easily collapse under its own weight. Through a detailed analysis of the archaeological evidence, the author demonstrates that communities living beyond the frontier competed for access to Byzantine goods and reshaped their identity as a result of continual negotiation, reinvention, and hybridization. In the hands of 'barbarians', Byzantine objects, such as coins, jewelry, and terracotta lamps, possessed more than functional or economic value, bringing social prestige, conveying religious symbolism embedded in the iconography, and offering a general sense of sharing in the Early Byzantine provincial lifestyle.

The site of medieval Euchaita, on the northern edge of the central Anatolian plateau, was the centre of the cult of St Theodore Tiro ('the Recruit'). Unlike most excavated or surveyed urban centres of the Byzantine period, Euchaita was never a major metropolis, cultural centre or extensive urban site, although it had a military function from the seventh to ninth centuries. Its significance lies precisely in the fact that as a small provincial town, something of a backwater, it was probably more typical of the 'average' provincial Anatolian urban settlement, yet almost nothing is known about such sites. This volume represents the results of a collaborative project that integrates archaeological survey work with other disciplines in a unified approach to the region both to enhance understanding of the history of Byzantine provincial society and to illustrate the application of innovative approaches to field survey.

Epigraphy, or the study of inscriptions, is critical for anyone seeking to understand the Roman world, whether they regard themselves as literary scholars, historians, archaeologists, anthropologists, religious scholars or work in a field that touches on the Roman world from c. 500 BCE to 500 CE and beyond. The Oxford Handbook of Roman Epigraphy is the fullest collection of scholarship on the study and history of Latin epigraphy produced to date. Rather that just a collection of inscriptions, however, this volume seeks to show why inscriptions matter and demonstrate to classicists and ancient historians how to work with the sources. To that end, the 35 chapters, written by senior and rising scholars in Roman history, classics, and epigraphy, cover everything from typograph to the importance of inscriptions for understanding many aspects of Roman culture, from Roman public life, to slavery, to the roles and lives of women, to the military, and to life in the provinces. Students and scholars alike will find the Handbook a crritical tool for expanding their knowledge of the Roman world.

This volume presents a collection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

The Adriatic has long occupied a liminal position between different cultures, languages and faiths. This book offers the first synthesis of its history between the seventh and the mid-fifteenth century, a period coinciding with the existence of the Byzantine Empire which, as heir to the Roman Empire, lay claim to the region. The period also saw the rise of Venice and it is important to understand the conditions which would lead to her dominance in the late Middle Ages. An international team of historians and archaeologists examines trade, administration and cultural exchange between the Adriatic and Byzantium but also within the region itself, and makes more widely known much previously scattered and localised research and the results of archaeological excavations in both Italy and Croatia. Their bold interpretations offer many stimulating ideas for rethinking the entire history of the Mediterranean during the period.

THE SUNDAY TIMES BESTSELLER & THE TIMES HISTORY BOOK OF 2021 'Astonishing and compelling' Bernard Cornwell 'This superb book is like a classical symphony, perfectly composed and exquisitely performed' THE TIMES Books of the Year Follow bioarchaeologist Cat Jarman - and the cutting-edge forensic techniques central to her research - as she uncovers epic stories of the Viking age and follows a small 'Carnelian' bead found in a Viking grave in Derbyshire to its origins thousands of miles to the east in Gujarat. 'This superb book is like a classical symphony, perfectly composed and exquisitely performed' THE TIMES Books of the Year Dr Cat Jarman is a bioarchaeologist, specialising in forensic techniques to research the paths of Vikings who came to rest in British soil. By examining teeth that are now over one thousand years old, she can determine childhood diet, and thereby where a person was likely born. With radiocarbon dating, she can ascertain a death date down to the range of a few years. And her research offers new visions of the likely roles of women and children in Viking culture. In 2017, a carnelian bead came into her temporary possession. River Kings sees her trace its path back to eighth-century Baghdad and India, discovering along the way that the Vikings' route was far more varied than we might think, that with them came people from the Middle East, not just Scandinavia, and that the reason for this unexpected integration between the Eastern and Western worlds may well have been a slave trade running through the Silk Road, and all the way to Britain. Told as a riveting story of the Vikings and the methods we use to understand them, this is a major reassessment of the fierce, often-mythologised voyagers of the north, and of the global medieval world as we know it.

This ambitious work focuses on the emergence and the development of medieval towns in the two Romanian principalities of South-Eastern Europe, Wallachia and Moldavia, from their earliest days, in the 13th century, up to the 16th. It is the only work of its kind in English, but at the same time the first in the field seeking to identify and substantiate common elements between towns in this area of Europe. It also covers Poland, Hungary and the lands south of the Danube. By relying both on various written sources, and on archeological finds, the author addresses several controversial issues, starting from the particulars of urbanization, through an analysis of local institutions, of urban society and economy, and concluding with thorough case studies. The result is a book which shows that medieval towns in the Romanian Principalities, despite being on the outskirts of Europe, were nevertheless part of it.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

This volume traces the lives, health, and diseases of Winchester's inhabitants as seen in their skeletal remains from the mid-third century to the mid-sixteenth century, a period of over 1,300 years. Although the populations of other British urban areas, York and London in particular, have been studied over an extended period, this volume is unique in providing a continuous chronological window, rather than a series of isolated studies. It is particularly notable for the large sample of Anglo-Saxon burials dated to the 8th - 10th centuries, which provide a bridge between the earlier Romano-British material and the later medieval samples. This study includes information on demography, physical characteristics, dental health, disease, and trauma collected from over 2,000 skeletons excavated from the Roman Cemetery at Lankhills and the Anglo-Saxon and medieval cemeteries of the Old and New Minster and Winchester Cathedral, as well as other Early Anglo-Saxon sites in neighbouring areas of Hampshire. The study establishes the underlying continuity of the population in spite of massive culture change between the Roman and Early Saxon periods, and delineates the increasing tendency to rounder skulls seen in the medieval period, a trend which is found in continental Europe at the same time. There were also significant differences through time in disease patterns and trauma. Leprosy, for example, is found only in post-Roman skeletons, while decapitations are seen only in Roman skeletons. Weapons injuries are confined to Anglo-Saxon and medieval individuals, although broken bones were common during the Roman period.