Books > Arts & Architecture > History of art / art & design styles > BC to 500 CE, Ancient & classical world
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The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE (Hardcover)
Loot Price: R3,428
Discovery Miles 34 280
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The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE (Hardcover)
Series: Oxford Studies in Ancient Culture Representation
Expected to ship within 12 - 17 working days
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Using both textual and iconographic sources, this richly
illustrated book examines the representations of the body in Greek
Old and Middle Comedy, how it was staged, perceived, and imagined,
particularly in Athens, Magna Graecia, and Sicily. The study also
aims to refine knowledge of the various connections between Attic
comedy and comic vases from South Italy and Sicily (the so-called
'phlyax vases'). After introducing comic texts and comedy-related
vase-paintings in the regional contexts, The Comic Body in Ancient
Greek Theatre and Art, 440-320 BCE considers the generic features
of the comic body, characterized as it is by a specific ugliness
and a constant motion. It also explores how costumes -masks,
padding, phallus, clothing, accessories- and gestures contribute to
the characters' visual identity in relation with speech : it
analyzes the cultural, social, aesthetic, and theatrical
conventions by which spectators decipher the body. This study thus
leads to a re-examination of the modalities of comic mimesis, in
particular when addressing sexual codes in cross-dressing scenes
which reveal the artifice of the fictional body. It also sheds
light on how comic poets make use of the scenic or imaginary
representations of the bodies of those who are targets of
political, social, or intellectual satire. There is a particular
emphasis on body movements, where the book not only deals with body
language and the dramatic function of comic gesture, but also with
how words confer a kind of poetic and unreal motion to the body.
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