First published in 1987. This study removes some of the critical
puzzles that Shakespeare's comedies of love have posed in the past.
The author shows that what distinguishes the comedies is not their
similarity but their variety - the way in which each play is a new
combination of essentially similar ingredients, so that, for
example, the boy/girl changes in The Merchant of Venice are seen to
have a quite different significance from those in As You Like It.
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