First published in 1987.
This study removes some of the critical puzzles that Shakespeare's
comedies of love have posed in the past. The author shows that what
distinguishes the comedies is not their similarity but their
variety - the way in which each play is a new combination of
essentially similar ingredients, so that, for example, the boy/girl
changes in The Merchant of Venice are seen to have a quite
different significance from those in As You Like It.
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