The title of this collection of essays refers to a tailor's
mannequin that Alfred Brendel spotted in a shop window in Arezzo, a
small Tuscan town. Who is this strange lady? What is she looking
at? And why is she carrying an egg on her head? The mannequin now
graces a room in the attic of Brendel's house in Hampstead. Her
features convey great artistic seriousness in combination with
absurd comedy: the epitome of his own musical and literary
preferences. And so, in his delightful new collection, great
masters of nonsense meet great masters of music.
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