"What the women I write about have in common is that they are all
rebels with a cause, and I see myself represented in their mirror,"
asserts Alicia Gaspar de Alba. Looking back across a career in
which she has written novels, poems, and scholarly works about Sor
Juana Ines de la Cruz, la Malinche, Coyolxauhqui, the murdered
women of Juarez, the Salem witches, and Chicana lesbian feminists,
Gaspar de Alba realized that what links these historically and
socially diverse figures is that they all fall into the category of
"bad women," as defined by their place, culture, and time, and all
have been punished as well as remembered for rebelling against the
"frames" imposed on them by capitalist patriarchal discourses. In
[Un]Framing the "Bad Woman," Gaspar de Alba revisits and expands
several of her published articles and presents three new essays to
analyze how specific brown/female bodies have been framed by
racial, social, cultural, sexual, national/regional, historical,
and religious discourses of identity-as well as how Chicanas can be
liberated from these frames. Employing interdisciplinary
methodologies of activist scholarship that draw from art,
literature, history, politics, popular culture, and feminist
theory, she shows how the "bad women" who interest her are
transgressive bodies that refuse to cooperate with patriarchal
dictates about what constitutes a "good woman" and that queer/alter
the male-centric and heteronormative history, politics, and
consciousness of Chicano/Mexicano culture. By "unframing" these bad
women and rewriting their stories within a revolutionary frame,
Gaspar de Alba offers her companeras and fellow luchadoras
empowering models of struggle, resistance, and rebirth.
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