"Women's Cinema" provides an introduction to critical debates
around women's filmmaking and relates those debates to a variety of
cinematic practices. Taking her cue from the groundbreaking
theories of Claire Johnston, Alison Butler argues that women's
cinema is a minor cinema that exists inside other cinemas,
inflecting and contesting the codes and systems of the major
cinematic traditions from within. Using canonical directors and
less established names, ranging from Chantal Akerman to Moufida
Tlatli, as examples, Butler argues that women's cinema is unified
in spite of its diversity by the ways in which it reworks cinematic
conventions.
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