Framing the Nation: Documentary Film in Interwar France argues
that, between World Wars I and II, documentary film made a
substantial contribution to the rewriting of the French national
narrative to include rural France and the colonies. The book mines
a significant body of virtually unknown films and manuscripts for
their insight into revisions of French national identity in the
aftermath of the Great War. From 1918 onwards, government
institutions sought to advance social programs they believed were
crucial to national regeneration. They turned to documentary film,
a new form of mass communication, to do so.
Many scholars of French film state that the French made no
significant contribution to documentary film prior to the Vichy
period. Using until now overlooked films, Framing the Nation
refutes this misconception and shows that the French were early and
active believers in the uses of documentary film for social change
- and these films reached audiences far beyond the confines of
commercial cinema circuits in urban areas.
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