Alistair Fox explores the dynamics of the creative process
involved in cinematic representation in the films of Jane Campion,
one of the most highly regarded of contemporary filmmakers.
Utilizing a wealth of new material including interviews with
Campion and her sister and personal writings of her mother Fox
traces the connections between the filmmaker s complex background
and the thematic preoccupations of her films, from her earliest
short, Peel, to 2009 s Bright Star. He establishes how Campion s
deep investment in family relationships informs her aesthetic
strategies, revealed in everything from the handling of shots and
lighting, to the complex system of symbolic images repeated from
one film to the next."
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