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Narratives of Gendered Dissent in South Asian Cinemas (Paperback)
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Narratives of Gendered Dissent in South Asian Cinemas (Paperback)
Series: Routledge Advances in Film Studies
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This book conducts a post-colonial, gendered investigation of
women-centred South Asian films. In these films, the narrative
becomes an act of political engagement and a site of feminist
struggle: a map that weaves together multiple strands of
subjectivity-gender, caste, race, class, religion, and colonialism.
The book explores the cinematic construction of an oppositional
narrative of feminist dissent with a view to elaborate a historical
understanding and theorisation of the 'materiality and politics' of
the everyday struggle of Indian women. The book analyzes the ways
that 'cultural workers' have tended to use subversive narratives as
a tool of resistance. Narratives that are political, ideological,
classed, raced and gendered offer the focus of this exploration.
Through strategies of disclosure and documentation of memory,
personal experiences, and imaginary events shaped by the larger
historical, political, and cultural contexts, these discursive
texts engage in the processes of struggle against a plethora of
oppression: caste, class, religion, patriarchal, sexual, and
(neo)colonial. The study looks at the manner in which, through
their creative and aesthetic interventions, South Asian film makers
enable the articulation of an alternative gendered subjectivity as
well as constitute the ground for personal and collective
empowerment. Films discussed include Shyam Benegal's Nishaant,
Nandita Das' Firaaq, Beate Arnestad's My Daughter the Terrorist,
and Sarah Gavron's Brick Lane.
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