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Out of the Long Dark - The Life of Ian Carr (Hardcover)
Loot Price: R767
Discovery Miles 7 670
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Out of the Long Dark - The Life of Ian Carr (Hardcover)
Series: Popular Music History
Expected to ship within 10 - 15 working days
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Few British jazz musicians have been at the cutting edge of as many
movements as Ian Carr. A pioneer bebop player in his youth, a
colleague of Eric Burdon and John McLaughlin in the R'n'B explosion
of the 60s, co-leader of one of Britain's most innovative jazz
groups - the Rendell-Carr Quintet, a free-jazz colleague of John
Stevens and Trevor Watts, and the founding father of jazz rock in
the UK, with his band Nucleus, Carr's musical career alone is truly
remarkable, and a one-man history of British jazz in the 60s and
70s. Add to that his work as a member of the United Jazz and Rock
Ensemble, and with such distinguished leaders as George Russell,
Stan Tracey and Mike Gibbs, and his work as a player seems even
more remarkable. Yet Ian Carr is also one of the most perceptive
critical writers and broadcasters about jazz, being not only the
co-author of the "Rough Guide", but also the celebrated biographer
of Keith Jarrett and Miles Davis. In recent years, he has
transformed his writing talents into making innovative and
prizewinning films on the music he loves, for which he has always
been a fearless and outspoken advocate, from the time of his 1973
book, "Music Outside". As a teacher, his pupils have included such
stellar British talents as Julian Joseph, the Mondesir brothers and
Nikki Yeoh. He has been a professor of jazz at London's Guildhall
School of Music since the 1980s and was founder of the jazz
workshop at the Interchange arts scheme. In this full length
biography, Alyn Shipton examines the fascinating mix of ingredients
that comprise the man and his music, and in the process draws a
vivid picture of Carr's home region, the North-East of England, of
National Service, of such literary influences as W. Somerset
Maughan, of post-war continental Europe and its Bohemian arts
scene, and of the London jazz world from the 1960s onwards. The
book shows that jazz does not have to have an American accent to be
original and innovative, and to inspire audiences all around the
world.
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