Wolf has been regarded as a composer who followed the style and
aesthetics of Wagnerian music drama without question, while writing
in a genre often seen as less challenging than the symphony or
opera. This 1999 book re-examines the evidence concerning Wolf's
responses to Wagner and Wagnerism and suggests ways in which he
voiced his criticism through song, and his one completed opera Der
Corregidor. This opens up insights into the kind of impact Wagner
had on those following in his wake, and into the complexity and
subtlety of the late nineteenth-century Lied. From this
perspective, Wolf emerges as a persuasive and articulate figure of
wide musical and artistic significance.
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