Musical spectacles are excessive and abstract, reconfiguring
time and space and creating intense bodily responses. Amy Herzog's
engaging work examines those instances where music and movement
erupt from within more linear narrative frameworks. The
representational strategies found in these films are often
formulaic, repeating familiar story lines and stereotypical
depictions of race, gender, and class. Yet she finds the musical
moment contains a powerful disruptive potential.
"Dreams of Difference, Songs of the Same" investigates the
tension and the fusion of difference and repetition in films to
ask, How does the musical moment work? Herzog looks at an eclectic
mix of works, including the Soundie and Scopitone jukebox films,
the musicals of French director Jacques Demy, the synchronized
swimming spectacles of Esther Williams, and an apocalyptic musical
by Taiwanese director Tsai Ming-liang. Several refrains circulate
among these texts: their reliance on cliches, their rewriting of
cultural narratives, and their hallucinatory treatment of memory
and history.
Drawing on the philosophical work of Gilles Deleuze, she
explores all of these dissonances as productive forces, and in
doing so demonstrates the transformative power of the
unexpected.
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