An inordinately moving, electric exploration of two warring
cultures fused in love, focused on the lives of four Chinese women
- who emigrated, in their youth, at various times, to San Francisco
- and their very American 30-ish daughters. Tan probes the tension
of love and often angry bewilderment as the older women watch their
daughters "as from another shore," and the daughters struggle to
free themselves from maddening threads of arcane obligation. More
than the gap between generations, more than the dwindling of old
ways, the Chinese mothers most fear that their own hopes and truths
- the secret gardens of the spirit that they have cultivated in the
very worst of times - will not take root. A Chinese mother's
responsibility here is to "give [my daughter] my spirit." The Joy
Luck Club, begun in 1939 San Francisco, was a re-creation of the
Club founded by Suyuan Woo in a beleaguered Chinese city. There, in
the stench of starvation and death, four women told their "good
stories," tried their luck with mah-jongg, laughed, and "feasted"
on scraps. Should we, thought Suyuan, "wait for death or choose our
own happiness?" Now, the Chinese women in America tell their
stories (but not to their daughters or to one another): in China,
an unwilling bride uses her wits, learns that she is "strong. .
.like the wind"; another witnesses the suicide of her mother; and
there are tales of terror, humiliation and despair. One recognizes
fate but survives. But what of the American daughters - in turn
grieved, furious, exasperated, amused ("You can't ever tell a
Chinese mother to shut up")? The daughters, in their confessional
chapters, have attempted childhood rebellions - like the young
chess champion; ever on maternal display, who learned that wiles of
the chessboard did not apply when opposing Mother, who had warned
her: "Strongest wind cannot be seen." Other daughters - in
adulthood, in crises, and drifting or upscale life-styles - tilt
with mothers, one of whom wonders: "How can she be her own person?
When did I give her up?" With lantern-lit tales of old China, a
rich humanity, and an acute ear for bicultural tuning, a splendid
first novel - one that matches the vigor and sensitivity of Maxine
Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her
tributes to the abundant heritage of Chinese-Americans. (Kirkus
Reviews)
30th ANNIVERSARY EDITION: WITH A NEW INTRODUCTION BY THE AUTHOR
Amy Tan’s moving and poignant tale of immigrant Chinese mothers and their American-born daughters that inspired the BAFTA nominated film
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.
‘The Joy Luck Club is an ambitious saga that’s impossible to read without wanting to call your Mum’ Stylist
General
Imprint: |
Vintage
|
Country of origin: |
United Kingdom |
Release date: |
June 1991 |
Authors: |
Amy Tan
|
Dimensions: |
197 x 129 x 23mm (L x W x T) |
Format: |
Paperback
|
Pages: |
352 |
Edition: |
30th Anniversary Edition |
ISBN-13: |
978-0-7493-9957-3 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-7493-9957-0 |
Barcode: |
9780749399573 |
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