Based on original archival research, Early Cinema, Modernity and
Visual Culture: The Imaginary of the Balkans is the first study on
early cinema in the region from a transnational and cross-cultural
perspective. It investigates how the unique geopolitical
positioning of the Balkan space and its multiculturality influenced
and shaped visual culture and cinema. Countering Eurocentric
modernity paradigms and reframing hierarchical relations between
centres and peripheries, this book adopts an alternative
methodology for interstitial spaces. By deploying the notion of the
haptic, it establishes new connections between moving image
artefacts and print media, early film practitioners, the
socio-political context and cultural responses to the new visual
medium.
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