A work of research on the newly emerged and much talked about
method of filmmaking known as no-budget or micro budget or zero
budget filmmaking worldwide. In chapter 1, the author tries to
define or to locate some of the specific features common with the
films widely known as no-budget productions and thus approaches
towards a more coherent understanding of the term. The popular
information resources are consulted as there are no academic
definitions still available. In chapter 2, the historical process
of the emergence of no-budget filmmaking practice is discussed
analytically and the similar approaches and precursors of the
practice are looked for in the larger film history. In the final
chapter, the democratization that took place with the no-budget
method being applied on the film medium is focused. The creative
freedom of the artist is the major concern here. The primary hurdle
of writing this paper is the scarcity of trusty enough source
materials. Quite astonishingly this much popular a terrain has been
left largely unexplored academically till date. Mainly artists who
have produced no-budget film(s) in their filmmaking career are
consulted, that is to say, interviewed for putting this paper into
shape. Through their understanding of the method the author tries
to come to an understanding of his own. In this process many of the
popular but vague conceptions regarding the practice are completely
discarded. The old and the armchair theories and conceptions are
replaced with the new ones coming directly from the field by
exploring it. The key argument is to focus on the unique democratic
nature of the no-budget filmmaking process situating it as the
successor of avant-garde and independent filmmaking tradition in
the larger film history.
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