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Magical Epistemologies - Forms of Knowledge in Early Modern English Drama (Hardcover)
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Magical Epistemologies - Forms of Knowledge in Early Modern English Drama (Hardcover)
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This book began with a simple question: when readers such as us
encounter the term magic or figures of magicians in early modern
texts, dramatic or otherwise, how do we read them? In the
twenty-first century we have recourse to an array of genres and
vocabulary from magical realism to fantasy fiction that does not,
however, work to read a historical figure like John Dee or a
fictional one he inspired in Shakespeare's Prospero. Between
longings to transcend human limitation and the actual work of
producing, translating, and organizing knowledge, figures such as
Dee invite us to re-examine our ways of reading magic only as
metaphor. If not metaphor then what else? As we parse the term
magic, it reveals a rich context of use that connects various
aspects of social, cultural, religious, economic, legal and medical
lives of the early moderns. Magic makes its presence felt not only
as a forms of knowledge but in methods of knowing in the
Renaissance. The arc of dramatists and texts that this book draws
between Doctor Faustus, The Tempest, The Alchemist and Comus: A
Masque at Ludlow Castle offers a sustained examination of the
epistemologies of magic in the context of early modern knowledge
formation. This book is co-published with Aakar Books, New Delhi.
Taylor & Francis does not sell or distribute the print versions
of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri
Lanka.
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