Concentrating on scholarship over the past four decades, this
multidisciplinary approach to representation considers conceptual
issues about representation and applies different theories to
various arts. Following an introduction that traces the historical
debates surrounding the concept of representation, Part One focuses
on representation and language, epistemology, politics and history,
sacrificial rites, possible world and postmodernism. Part Two
applies current theories to painting, photography, literature,
music, dance, and film. Writings highlight the vital role
representation plays in the formation and appreciation of major
genres of art.
This work will appeal to art philosophy and aesthetics scholars
and to cultural studies and linguistic scholars. Rather than
advocate certain theories, the essays illustrate the inherent
complexities of representation.
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