If, as an actor, your body is your 'instrument' - and the only way
you can express the internal impulses of the character you're
playing - what happens when the body-mind, 'psychophysical'
connection is lost? Andrei Droznin, Russia's foremost teacher of
physical actor training, calls this loss the 'desomatization' of
the human body, and argues that these connections urgently need to
be restored for full expressivity. This is a genuinely unique book
which links theory to practice by a man who has worked at the very
top of Russian theatre; a movement specialist who has taught at the
Moscow Art Theatre as well as drama schools all over the world.
Beautifully translated by Natasha Fedorova, this volume will excite
and inspire a new generation of English-language readers.
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