Since the 1990s, both politics and pop culture have been dominated
by the twin motifs of the victim and the child. Calcutt traces the
history of these motifs back to their origins in the counterculture
of the 1950s and 1960s, and concludes that the counterculture, far
from being liberating, has provided a ready-made verbal and visual
language for today's victim culture and the authoritarian politics
arising from it. This title discusses the erosion of adulthood as a
pop cultural phenomenon that requires demystification and as a
social problem which must be overcome.
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