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Sonata Fragments - Romantic Narratives in Chopin, Schumann, and Brahms (Paperback)
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Sonata Fragments - Romantic Narratives in Chopin, Schumann, and Brahms (Paperback)
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In Sonata Fragments, Andrew Davis argues that the Romantic sonata
is firmly rooted, both formally and expressively, in its Classical
forebears, using Classical conventions in order to convey a broad
constellation of Romantic aesthetic values. This claim runs
contrary to conventional theories of the Romantic sonata that place
this nineteenth-century musical form squarely outside inherited
Classical sonata procedures. Building on Sonata Theory, Davis
examines moments of fracture and fragmentation that disrupt the
cohesive and linear temporality in piano sonatas by Chopin, Brahms,
and Schumann. These disruptions in the sonata form are a narrative
technique that signify temporal shifts during which we move from
the outer action to the inner thoughts of a musical agent, or we
move from the story as it unfolds to a flashback or flash-forward.
Through an interpretation of Romantic sonatas as temporally
multi-dimensional works in which portions of the music in any given
piece can lie inside or outside of what Sonata Theory would define
as the sonata-space proper, Davis reads into these ruptures a
narrative of expressive features that mark these sonatas as
uniquely Romantic.
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